Want to get Published? Here’s how…

UPDATE: It looks like this is being bumped to later in the year. You can click on this link to get reminders.

Writers! Want to get published? Course you do… Then come and join me and a bunch of amazing people at Foyles, Charing Cross Road, London on Saturday 8th February for the Publishing Talk one day masterclass for writers…

This was great fun last year, and perfect for any writers who are serious about getting publishing. There’s a great line up this year…

  • Bec Evans, productivity expert, co-founder of Prolifiko and and author of How to Have a Happy Hustle
  • Nicola May, Number one bestselling self-published author of 10 novels including The Corner Shop in Cockleberry Bay
  • Scott Pack, publisher, editor and author of How to Perfect Your Sumbission
  • Bella Pagan, editorial director, Pan Macmillan
  • Jon Reed, founder of Publishing Talk and author of Get Up to Speed with Online Marketing
  • Debbie Young, self-published author and Author Advice Centre Manager, the Alliance of Independent Authors (ALLi)

And me! I’ll be talking about the most important things I’ve learned from over 250 episodes of the podcast and the BXP2020 challenge.

Get 20% off your tickets here!

One Year On as a Freelancer… and a Confession…

I’ve been at this freelance malarkey for a year now and I’m somehow still solvent. The principles of what I learned earlier this year remain the same, but I have a confession…

I started applying for jobs.

Y’know, jobs with salaries and pensions and commutes and all the stuff I had consigned to the past when I found myself suddenly self-unemployed. Why? Because the banks insist I pay back this mortgage thingy, and suppliers will insist that I pay for goods and services. Unbelievable, eh?

Around mid-October I started to panic. It was very clear that the money was draining faster than it was being replaced and that I would run out of dosh just in time for Christmas.

Here’s the thing: I have a TV show in development, a feature film script with a great director attached, I have three novels published and one about to go out on submission. I’ve had my best year ever as a writer since Robot Overlords was released but, crucially, none of these gigs are paying anything like a living wage.

If the TV show happens I’m off to the races, but TV is high-risk business. Big budgets mean slow progress. I’ve been paid an option plus renewal (a couple of grand). The same risk and speed applies to the film script, though this is a spec script and it hasn’t paid a penny yet. Books move marginally faster, but the advances and royalties have a long way to go before they pay the bills.

I’ve tried getting TV writing work, but still have a long way to go before I have the kind of contacts who will hire me (a lot of it word-of-mouth/who-you-know). Again, there’s a high risk factor. TV is expensive, and me having made a movie and a stack of spec scripts doesn’t seem to be enough for TV producers to take a chance.

It was becoming clear that writing — the thing that took up most of my working day — wasn’t going to keep me in the manner in which I was accustomed…

I believe the word is “louche”…

And so my mind defaulted to the thing I knew was safe and certain: a job with a salary.

I began scouring the Bookseller and other publishing work agencies for jobs. Preferably for some sort maternity/paternity cover that would tide me over till the TV/Film/Book big time happened (stop sniggering at the back – it’ll happen). I applied for a number of jobs that I was perfect for. I had the experience they needed and I was ready to start immediately. What could possibly go wrong?

Warning: the next few paras will make me sound like a grumpy old man, but I can only speak from my own experience as a grumpy old man…

Nobody wanted me! I had interviews, sure, but the language of job vacancy copy is quite revealing. They blurb excitedly of dynamism and enthusiasm and pro-active-ness, but when you get to my age that all sounds exhausting. Whatever happened to a safe pair of hands? Someone who will come in and do the job to the best of their ability with a smile on their face and not set fire to the place??

Also, middle-aged folk don’t come cheap. We expect to be paid well, unlike the poor Millennials who have all been duped into taking a pittance and expected to work all hours. In the interviews I was treated like a curiosity. A survivor of the digital wars of the early 2000s, and one that would probably answer back occasionally, take an hour for lunch, and leave on time every day. Okay, yes, I guess it was my attitude that lost me the jobs, but there’s also a definite bias against middle-aged-grumps-who-don’t-take-any-crap in publishing. I’m shocked, I tell you. Shocked.

I also had a couple of replies telling me they’d read my CV and that I was a successful writer and grossly overqualified. If only they knew.

I think this was all publishing’s way of telling me that it was done with me.

Rant over.

The mind begins to reel when confronted with a black hole of uncertainty.

I’ve been skint before. I’ve been unemployed before, but not when I’ve been the one paying the mortgage. I’ve been massively overdrawn and in debt before, but I had the security of a monthly salary to at least rob Peter to pay Paul (with interest). I’ve never been in a situation when there was literally no more money coming in and yet here I was. Bear in mind, while all this was going there was a disastrous election, Brexit loomed like a cloud of poison gas, and humanity’s inability to get to grips with climate change made one entertain thoughts of selling-up and digging a large bunker in the Outer Hebrides.

What can you do but persist? I kept applying for jobs and touting for editorial work. The editorial stuff started coming in and that was good, but it was a few hundred quid here and there. Not enough to keep my head above water.

And then, quite unexpectedly, I got a job! It’s a book sales job, it’s dealing with Amazon and it’s with a fun indie publisher called Rat’s Tales selling some very cool thrillers (seriously, if you like a bit old-school Bond-meets-Jack Higgins-style adventure, check these out!). The wage is about half what I need to keep the wolf from the door, but it’s fun, they’re a great bunch and I can work from home.

I’m learning to live with uncertainty.

I’ve been scared of it for too long and now I’m challenging it to an arm wrestle in a crowded bar. Wish me luck…

Are you looking for feedback on your novel or screenplay? sending to agents? I offer all kinds of services for writers at all stages in their careers. There are more details here and get in touch now for a free ten minute Skype consultation and a quote.