I haven’t written for three days!

If you follow the Bestseller Experiment podcast you might have noticed that we recently finished our first draft. This is always a cause for celebration, even if the draft is a big old mess (which it is) and will need a ton of work (which it will). Simply finishing something is an achievement.

I celebrated by getting a summer cold, and diving straight into rewrites of a TV pilot script. This was huge fun, as this was the script that had been give such a kicking a while ago, but I had spent the time since working on solutions that I couldn’t wait to try out.

The other reason for the hurry is that I’m moving house. The Stay family is leaving the suburbs and heading to the country… Well, maybe not the country, but it’s next to a farm, and for a boy born in the city that counts as the countryside. All this means lots of packing (so many books!), and a break in my usual routine, which means I haven’t written anything other than emails to utility companies in three days.

I’m a ‘write every day’ guy. If I don’t write anything during the working day, I get twitchy. So much so, that I just snuck out of bed in the middle of the night to sit among the boxes and compose this blog…

… and that feels good, even though it’s not the full dose of happiness that I get from a bit of creative writing. But I am reassured by the response we got from Sarah Pinborough on the podcast when we asked her if she wrote every day. ‘No,’ she said. ‘That’s bollocks.’ She went on to clarify that even though she might not actually be writing her latest work in progress, she’s always thinking about it. Well, I’ve been doing lots of thinking, and I’m allowing myself to call that work, even if it’s just for a few days.
The other thought that keeps me going is that when we move I will finally have a writing room. I hate to use the phrase ‘man-cave’, due to all the icky connotations, but it will almost certainly be the very definition of male writer mid-life crisis decor: film posters, books, Lego, and I might even succumb to the lure of vinyl LPs again… Lordy, what have I become…?

In the meantime, keep writing, my friends. I love hearing about your work and news (my friend Graeme Williams just had some amazing news!) and it’ll keep me going till I see you on the other side once I’ve unpacked…

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Looking Back At The Bestseller Experiment Episode 2 – Sam Eades & Juliet Ewers

At the time of writing, we’re up to episode 36 of the Bestseller Experiment podcast and, as we get close to finishing the first draft of our book, I thought it would be interesting to go back and listen to those early episodes, and give you, dear reader, a little peek behind the curtain.

We still didn’t have any big names lined-up, and this was another one we recorded at the end of August, long before our launch. But, I’d heard precious few editors interviewed in writers’ podcasts and we thought we could offer some value with two of the best, and little did we know what a cracking episode it would be. Have a listen here.

Sam and Juliet came properly prepared with copious notes and, as we recorded it at the tail end of a colleague’s farewell drinks in the office, they were both very relaxed thanks to the power of beer.

My favourite bit comes 23m 30s in, where I flippantly announce the end of the podcast. We had to make it clear to listeners that we weren’t cynically trying to custom-build a bestseller. I’d been tipped off that a book called The Bestseller Code was coming soon, and already it was getting a bad buzz in the industry. We wanted to avoid comparisons with any kind of bestseller-by-numbers approach. It’s a criticism that we still get, and understandably, considering what we decided to call the show, but I didn’t want this to be a nuts and bolts, insert tab A into slot B operation. If my name is going on the cover of a book, it’s going to be as good as I can make it.

A few thoughts listening back…

  • The sound at Hachette still had too much reverb.
  • We still had no clue what we were going to write
  • I say ‘prevaricating’ when I mean ‘procrastinating’… It’s lucky I don’t intend to make a career out of this words malarkey, eh?
  • I do a very weird pause at the 39:37 mark. I simply ran out of things to say.
  • I still haven’t spoken to Juliet about her time working in recording studios, and I see her every day…
  • We still haven’t got Ian Rankin on the podcast (but we’re working on it).
  • There are no twins or unreliable narrators in our novel, but there is some sex. It’s excruciating.
  • We have the first mention of Into The Woods by John Yorke!
  • I keep banging on about ‘voice’… Something I still bring up with annoying regularity.
  • Our biggest takeaway: we were NOT going to write GONE GIRL.
  • Juliet mentions using everyday language to help make a book more accessible to readers. Not quite the same as Mr. D’s Grade 3 obsession, but duly noted.
  • That fear of it all falling apart was still very real…
  • Question of the week was another fake one!

Our most important lesson from this episode was Juliet’s declaration that if you don’t love what you’re writing, then why would anyone else? And writing what you read was another important note for us. As Mr. D reads a lot of narrative non-fiction, and I read a lot of science fiction and fantasy, I thought it would be impossible to find something that we were both fans of, but it turns out I needn’t have worried. We certainly weren’t up for giving Sam her sweeping romance novel, but her idea of happiness as a theme definitely resonated with us, and influenced what we finally decided to write. I’m also really interested in making an emotional connection through writing. I can do excitement and comedy, but I’ve yet to make anybody cry, and that’s my high bar for writing now. I get weepy when I watch movies and read books, so can I dig deep and do that with my own writing?

Still haven’t read Gone Girl.

There’s a transcript of the interview in our free ebook. Get your copy here.

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Looking back At The Bestseller Experiment Episode 1 – Who Buys Bestsellers?

At the time of writing, we’re up to episode 35 of the Bestseller Experiment podcast and, as we get close to finishing the first draft of our book, I thought it would be interesting to go back and listen to those early episodes, and give you, dear reader, a little peek behind the curtain.

We kicked off with Vics Tranter, who’s terrific on consumer insight stuff and has sadly since left Orion. Her advice was invaluable, especially pointing out that many of the pioneer readers of fiction are women in their thirties and forties, and how important they could be in spreading that elusive word of mouth. It became clear that Mr. D and I would need to write something that would appeal primarily to women. We did briefly dally with the idea that we might write a Gone Girl-style thriller, but over the next few episodes it became less and less appealing as we realised that neither of us really had a passion for those kinds of books, although we do talk about writing outside out our comfort zones. Have a listen…

A few thoughts listening back…

  • We say that we’ll keep referring back to this interview throughout the series and we have!
  • We ask our guests top tips for wannabe writers and then ask what they’re reading… That didn’t last, did it?
  • We still haven’t got Daniel Cole on the show.
  • I think Mr. D and I have a pretty good rapport from the start, and we slip into our natural cynic/optimist roles effortlessly.
  • Regular listeners will recognise some of Mr. D’s common themes making their first appearance, not least about keeping the language simple, and we still go back and forth about this… We’ll need an editor to make the final arbitration, I think.
  • What’s our hook? Not saying yet, but it came out of conversations we had in the following weeks.
  • This episode also witnessed the birth of the Writers’ Vault of Gold, which at the time of writing is currently nearing 100k words. I’m not just saying this, I really do go back and dip into this constantly. It’s an amazing roster of authors, editors and other professionals and it’s full of great writing advice and it’s currently free. FREE! One day it won’t be. Get your copy here.
  • Scrivener – I really, really did need converting from Pages to Scrivener. I struggled with it to start with, though that probably had more to do with my stubborn refusal to change that the software itself. Interesting that we were eulogising about it so soon as, at this point, I don’t think we had secured their sponsorship.
  • Ah, the Question of the week – or the Question Mark as no one is now calling it. Time to fess up: this first one was completely made up. There is no Andrew in Surrey… well there might be, but he didn’t send us a question. Andrew is my middle name.
  • Sound quality. There’s quite a bit of reverb from my end, which is a sound editor’s worst nightmare, and for the first few episodes I had my headphone volume quite loud, so it would leak to the microphone. This would drive poor Mr D. mad as he worked on the edit.
  • Secret guest… Yes, we really hadn’t booked them yet… and the GollanczFest that would feature many of our first big names was still just a distant speck on the horizon.

We recorded this on 23rd August 2016, waaaay before our actual launch in October. Mr. D and I had been talking about this idea for some time, and the plan was to get a few episodes in the bag before we launched as we had heard that launching with multiple episodes might send us up the iTunes podcast chart. And, it was also to see if it would actually work as a format. Here’s my diary extract for that day…

First interview for the Bestseller Experiment podcast tonight with Vics Tranter at Orion. A couple of technical glitches aside, it went well and there’s a definitely a lot of potential in the project. Could be a ton of work, but might also be very rewarding.

A ton of work… if only I knew. But it has been rewarding, too. Not fiscally, oh no, but hearing from writers on their own progress, and hearing how they’ve been inspired by the show has brought sunshine and happiness to my dark, cynical heart and long may it continue.

Oh, and I still haven’t read Gone Girl.

 

I’ll be covering episode two soon, so please subscribe to make sure you don’t miss out!

The Bestseller Experiment launches today!

A simple proposition: write, edit, publish and market a self-published eBook and get it up the Kindle charts… in a year. Fifty-two weeks. Yeah, a doddle…

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Oh, and while you’re trying to achieve this, and on top of all the other crap you have going on in your life, you’ll also be helping run a weekly podcast where you interview folk from the industry and maybe a few authors? Maybe even a few bestselling, mega-million-household-name-type authors?

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And yet, here we are… Luckily, my cohort in this exercise in insanity is the super-driven entrepreneur and life coach Mark Desvaux who could convince the most devout nun to abandon her vows and take up pole dancing (don’t worry, he only uses his powers for good, not evil).

Mark is also that wannabe writer who’s started writing a novel a few times, but has never finished one. He still has that joyous naivety that all it takes is a bit of application and before you know it you’ve written Harry Potter And The Cash Cow Of Azkaban.

I, on the other hand, am a cynical sod who’s worked in bookselling and publishing for over twenty years and have seen more disasters than Donald Trump’s press office. There’s no way you can cynically take a dash of Dan Brown, add a smidgen of James Patterson, sprinkle it with EL James’s chutzpah and wait for the royalty cheques to come rolling in.

However, that’s not entirely our plan. While our book may end up the literary equivalent of the Hindenberg, we are totally convinced that there are writers out there who can beat us to it. Writers who might have a half-finished book in their bottom drawer, writers who just need a little guidance from the experts (that’s not us, let me make that absolutely clear!), and could get their work published and read by the masses.

So, if you think that’s you, or a buddy of yours, or you just like listening to fantastic interviews with the likes of Joanne Harris, Joe Abercrombie, Maria Semple, Michelle Paver, Scott Lynch, John Connolly, Michael Connelly and many more (yeah, we got some of those million-sellers recorded already, baby!), then join us. It might end in utter disaster, but it will be fun.

We launch today with three episodes, so you can really get your teeth into it, and they’re all fab. You can find the podcast on iTunes: http://bestsellerexperiment.com/itunes

Please subscribe so you don’t miss future episodes, and, if you like us, please, please, please leave a review and a rating on iTunes. I had no idea how important this stuff is to keeping your podcast alive. Apple use these as their major metric when it comes to making the podcast visible and easy to find! Without them, we wither and die… and I want this to fail because I was right, not because of some sodding metric!

If you’re not on iTunes, you can listen and download from our website: http://bestsellerexperiment.com/podcasts/

We’re also on Facebook and Twitter, Pinterest and Instagram, oh, and if you sign up to our newsletter you get a free eBook, The Writers’ Vault of Gold

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This really is aces. Updated every week it’s the highlights of our interviews, and by the time we’re done there will be about 80,000 words of advice from some of the best authors on the planet… For free! You’d be crazy not to.

Still not convinced? Then check out our trailer for a quick peek…

Like I said, this is going to be fun.

Oh, and to the chap who left a comment on our Facebook page bemoaning the whole exercise and declaring that Graham Greene would never have stooped to this… it’s called the Bestseller Experiment, not the Timeless Literary Classic Experiment.

That’s next year…

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Great podcasts for screenwriters…

I love me a podcast. On my daily commute, any long(ish) drive or walk, or when I’m doing the ironing or washing up, I’ll plug in and absorb news and information like Neo in the Matrix. Well, I like to think that’s how my mind works, though the reality is I need the same ideas reinforced again and again and again, and podcasts are a great way of doing that.

Many of the podcasts I listen to are writing- or film-related, and I thought I would share them with you now (and yes, I did something similar a couple of years ago, but these are updated and I have a handful of new additions)…

You can get all of these on iTunes or whatever podcast software you use for free, but it’s well worth having a look at their related blogs and Twitter feeds too.

Scriptnotes with John August and Craig Mazin:

 

@johnaugust

@clmazin

There’s never been a better time to get on board with this one, as the latest episode is a Spring Break clip show, essentially a greatest hits. Click here to listen.

What sets these guys apart from the Syd Fields and Robert McKees of this world, is they’re actually working as writers in the film industry, so they can talk with authority about how the industry works today. They cover everything from writing techniques, to agents, managers, lawyers, the WGA, writing software (don’t get Craig started on the vagaries of Final Draft!), and even typefaces and fonts (John August also develops apps). It’s been running for quite a few years now, and the most recent 20 episodes are free, and the backlist is only available via the premium feed, or you could buy a USB stick with all the episodes. It’s worth it: this is cheaper than any seminar or writers’ retreat and far more useful.

Scriptwriting in the UK with Danny Stack and Tim Clague:

@scriptwritingUK

Danny has one of the best UK scriptwriting blogs out there, and, in this monthly podcast, he and Tim Clague cover all aspects of writing for the screen: film, TV and games. And, most astonishingly, they actually went and made their own children’s film, WHO KILLED NELSON NUTMEG? which premiered at the London Film Festival. An incredible achievement, and an experience that has informed their podcast ever since.

This is invaluable for insights into the UK film and TV industry, and they’ve interviewed the likes of Tony Jordan, Chris ChibnallAndrew Ellard, and yours truly (if I sound like I’m at the bottom of a well, it’s because it was recorded via Skype in a glass room!)

The Q&A with Jeff Goldsmith:

@yogoldsmith

Jeff gets an amazing roster of writers talking at great length about how they started, their careers and their latest film. This is American too, but he gets loads of British writers on the show. These are often recorded after a screening, and the audience get to ask questions.

He previously presented the Creative Screenwriting podcast, which no longer seems to be on iTunes, but I’m sure you can find it if you go digging online. They were terrific, essentially the same format, but presented in association with the magazine Creative Screenwriting.

Filmsack:

Not a podcast about writing, but these guys love popcorn movies. They watch them on Netflix (which can skew what kinds of movies are available) then get together over Skype to dissect them. They’re really good at pointing out tropes and plot holes, which is invaluable for a writer. The earlier episodes on films like Superman and Wrath of Khan are outstanding.

Kermode and Mayo’s Film Review:

@wittertainment

Probably the best film show on radio. It goes through phases of being overly self-referential, but Kermode is passionate and really knows his stuff, and Mayo keeps him in line, and it’s a weekly lesson in how intelligent, informed audiences will react to movies.  Hello to Jason Isaacs.

Empire:

I bloody love Empire, and this podcast is huge fun, but it’s the spoiler specials that are particularly good for writers as the gang will often dissect the story in minute detail. The epic Chris McQuarrie Mission Impossible spoiler special (nearly three hours long!) is an incredibly frank look at how a blockbuster gets made. Gold:

 

 

The BAFTA Screenwriters’ Lecture Series:

More of an annual event than a regular podcast, these are live lectures recorded for podcasts, and so there are references to clips that the listener doesn’t get to see, but there are some very experienced and wise minds dispensing advice here and you’d be a fool to miss out!

Film Nuts

Filmmaker Mustapha Kseibati shares his colossal passion for film in this series of interviews with UK writers and directors. And it’s the only place where you’ll here me get excited about the Dad’s Army film. Mus’ is a busy man, so there aren’t as many of these as I’d like, but each one has nuggets of wisdom.

The Allusionist

Okay, so not a podcast about writing, but if you’re a writer you’ll love words and Helen Zaltzman’s podcast is a delight. You’ll come away from each episode with another insight into what makes word work, and that can only make you a better writer.

 

And that’s it! Do please let me know if there are any I’ve missed. I’m not sure I can squeeze any more into my week, but I’m always up for something new.

Try the Geek Apocalypse podcast drinking game…

I had good fun chatting with Steven Hesse over at the Geek Apocalypse podcast. We discuss the kinds of people you meet at MCM Comic Cons, 2000 AD, Pat Mills, indie movies vs Hollywood movies, film tie-ins, world building, plot holes, Robot Overlords and all sorts of stuff.

You can stream it here, or if you get your podcasts from iTunes click here.

There will be a video version at some point and I’ll plonk it here when it arrives, in the meantime enjoy and, if you like drinking games, take a shot every time Steven says “super duper fun”, you’ll be plastered before you know it!

Film Nuts – Jon Wright and I chat to Mustapha Kseibati

Jon and I took a break from writing top-secret-new-thing the other day to chat with filmmaker and all-round good guy Mustapha Kseibati for his podcast FILM NUTS.

Mus is one of the most passionate filmmakers I know, and there’s nothing he loves more than a great, heartfelt, commercial movie. Just, whatever you do, don’t get him started on BACK TO THE FUTURE:  if you think I can go on about STAR WARS, you ain’t heard Mus bang on about BTTF!

Jon and I had really good laugh chatting to Mus about how we got started and how ROBOT OVERLORDS got off the ground. You can download the podcast from iTunes here, or stream it on Soundcloud:

Oh, and if you’ve not seen Mus’s latest short, MOHAMMED, you’re missing a real treat. Watch it here!

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Enjoy! Oh, and Jon – who’s not a podcast listener – isn’t convinced there’s anyone out there with the endurance to sit through an hour of us waffling on, so do please let me know if you do!