A Public Declaration

We had a pivotal episode of the Bestseller Experiment podcast this week. We finally revealed if we made our target of ten thousand copies sold of Back To Reality by the end of Glastonbury weekend. You can listen here…

EP208: Glastonbury Or Bust – Did We Make It?

It’s not much of a spoiler to say that we didn’t make it. However, if failure is a teacher then we learned an awful lot. Here were the big lessons for me…

  • Write a series – It’s much more difficult to sell a standalone book using advertising tools (Amazon Merchandising Services, Facebook Ads, Bookbub, Publisher Rocket) that are best designed to sell more than one product. So guess what I’m writing next…?
  • Not being able to use AMS in the UK hurt our chances of success. Yes, I know some authors have managed to use loopholes to run ads in the UK, but that wasn’t available when we signed up. I did ask Kindle’s Darren Hardy at the London Book Fair when it might be available and he said it was coming soon, but couldn’t give a fixed date. I’m not holding my breath. Back to Reality is very British in its humour and tone — and it’s been great to get such a wonderful reaction from readers all over the world — but it would have been great to sell more effectively to our Amazon readers in the UK.
  • It might just be that I’m bad at marketing. This is very likely my biggest issue… I did the Mark Dawson course, I read the David Gaughran books, I did everything I was supposed to… but marketing is a skillset you have to develop over years, and I was hardly going to master it in a few months.
  • Genre and readers are key. Back to Reality is a little bit of humour, a little bit contemporary fiction, a little bit science fiction, and a little bit rock n roll, so pinning down one genre was nigh-on impossible. And it’s tricky trying to identify just who your readers are, especially when your “also boughts” on Amazon are mostly for non-fiction “How to write” books (a byproduct of the podcast: our first readers were our listeners who are all writers). Compared to straight-down-the-line thrillers or romance, our novel wasn’t quite as straightforward.
But I’m not complaining!

It is said that the definition of insanity is doing the same thing over and over and expecting different results (I guess that makes every author insane). With that in mind, I’m going to repeat this experiment with The End of Magic, but I intend to make ALL NEW MISTAKES!

We’ve long banged on about writers making public declarations on the podcast. They put a fire under your bum and, combined with a firm deadline, can spur you on to great things.

So here goes with my NEW PUBLIC DECLARATION:

I will sell 1000 copies of The End of Magic by Christmas 2019

A few caveats…

  • I can only do this in the USA… Unbound have the UK rights and I have no visibility on sales other than the twice yearly statements.
  • I’m going to stick with Kindle and Kindle Unlimited.
  • I’ll be counting both Kindle and Paperback sales.

Wish me luck! I’ll chronicle my progress here on the blog and in my newsletter. I’ve already started with a couple of AMS ads and Bookbub newsletter ads. I’ll let you know how they get on. Current sales are zero. The only way is up…

If you want to help, why not buy a copy right now? It’s right here.

Back to Reality is out in paperback

Somehow, in all the hurly-burly of launching The End of Magic, I have yet to mention here on the hallowed pages of the blog that the novel I co-wrote for The Bestseller Experiment podcast is now out in paperback!

Ooh, pretty!

Here’s the blurb…

Jo’s world is about to change forever, and it’s about time

Her marriage is on auto-pilot, daughter hates her, job sucks and it’s not even Tuesday.
As Jo’s life implodes, a freak event hurls her back to ‘90s Los Angeles where, in a parallel universe, she’s about to hit the big time as a rock star. 
Jo has to choose between her dreams and her family in an adventure that propels her from London to Hollywood then Glastonbury, the world’s greatest music festival. In her desperate quest, Jo encounters a disgraced guru, a movie star with a fetish for double-decker buses, and the biggest pop star in the world… who just happens to want to kill her.

Back to Reality is a funny, heartwarming story about last chances, perfect for fans of Rowan Coleman and Helen Fielding.

I’m really proud of this book. It’s very different to the usual science fiction/fantasy stuff I write, but it’s funny, fast-paced and has a big heart, so if you’re looking for a little bit of uplit to brighten your day, then grab a copy now!

But don’t just take my word for it…

Should Writers Avoid Getting Political?

Back to Reality, the novel I co-wrote with Mark Desvaux for the Bestseller Experiment podcast, has been having a good run with reviews since its publication in 2017. Folks have liked it a lot and the feedback has been overwhelmingly positive. To meet our rather ambitious self-imposed target of ten thousand copies sold by the end of the Glastonbury Festival (our book climaxes at Glastonbury) we’ve been dialling up the advertising and asking anyone who’s read the book to leave a review. That means I’ve been checking the Amazon customer reviews fairly regularly, and that’s when I noticed that we received our first ever one-star review for the book. At first, my heart sank a little, but then I clicked on the review and had a read and this is what I found…

For context, here’s the part of the book that the reviewer objected to. Our hero, Jo, has travelled back in time from contemporary England to ‘90s Hollywood. She finds herself on a late night chat show where she reveals that she’s a time traveller…

There are two things going on with this review. First is an inability to make a distinction between the protagonist and the authors.

This still manages to surprise some readers. To write crime thrillers, you don’t need to be a cop or a murderer, to write science fiction you don’t need to explore deep space, and you, dear writer, can write repulsive characters and not agree with their world view.

Although, for the sake of clarity, here’s where I stand on Donald Trump. The man is a misogynist, homophobic, racist, narcissistic fool and a failed businessman whose time would be better spent indulging in his sexual peccadilloes behind closed doors while the rest of try and save the planet from climate change.

In short, I’m not a fan.

But this is what writers do: we put ourselves in the shoes of these characters and try to imagine would those people might be like — and very often it can be based on personal experience — and we try to convey that in words.

As an aside, I think this is why there is such a liberal bias in the entertainment industry. Creators will try and see both sides of the argument in a story, character or situation and present them in a compelling way. That sense of fairness is very much a characteristic of liberals, especially in contrast to the meritocratic views of the right. 

The second aspect of the review is the disappointment in the reader that we’ve dragged the messy world of politics into their reading. This prompts the much bigger question: should writers get political? Sure, if you’re writing a political thriller it’s expected, but when you’re writing in an escapist genre like comedy, romance, science fiction or fantasy should the poor reader be inflicted with soap box politics? And is it worth it for the writer? Think back to The Dixie Chicks when they made disparaging comments about George W Bush and the effect that had on their sales. Isn’t it just safer to avoid any political content altogether?

Here’s the thing: all writing is political… if it’s any good.

Fiction isn’t like a family gathering where you avoid religion and politics. It should be a truthful reflection of what the creator believes, otherwise what is the point?

I’m not saying that our joke where Jo compares Trump to Hitler is some kind of profound insight into the human condition. Far from it. It’s simply the thing that stuck out for the reviewer. What that reviewer missed was the masses of other political content in the book. The themes of family, compassion, sexism, work, money and greed are threaded throughout the story, and if you don’t think those are political then you’ve not been paying attention to the world around you.

So, will we lose sales because we’ve upset some fans of Trump? Possibly. We’re hardly the Dixie Chicks, but to be honest if you’re a Trump supporter I don’t want your money. You’re going to need it when you realise you’re on the wrong side of history and need to pay for therapy.

In the meantime, I shall continue to write about the world through the eyes of characters that both attract and repulse me. It’s pretty much the only way I can make any sense of the chaos around me, especially that Trump fella… 

PS. To be clear, there are my opinions and not those of The Bestseller Experiment or my co-presenter -author Mark Desvaux…

I spill the beans on the Honest Authors podcast…

I had great fun speaking to Holly Seddon and Gillian McAllister on the Honest Authors Podcast. I’ve been a fan of their podcast from the start, and it was fun to answer their questions about the Bestseller Experiment, not least, “Did you and the other Mark ever fall out?” LISTEN HERE or download from your podcatcher of choice to find out the terrible truth!

 

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If you’re looking for something new to read in 2018, then grab a copy of our novel Back to Reality on Kindle now!

KATE HARRISON

The Bestseller Experiment is back!

After a bit of a post-publication break, the Bestseller Experiment podcast has returned, with an episode we recorded… back in September…

Okay, so that’s maybe cheating a bit, but it’s an excellent episode featuring three of Orion’s top publicist sharing their secrets of the trade.

Elaine Egan won an award this week for her excellent work on Lucy Vine’s debut Hot Mess (including getting her a much-prized guest spot on our beloved podcast), Lauren Woosey who recently arranged our interview Victoria Aveyard (tune in next week), and Virginia Woolstencroft who squeezed us into the busy schedule of some bloke called Bryan Cranston. They’re full of really useful advice, so if you want in on some tip-top publicity tips, listen here now.

And speaking of amazing publicity, our wonderful publicist Lisa Shakespeare got us a double page spread in Publishers Weekly. You can read the online version here, or the slightly longer print piece here.

If you’re even remotely awesome you’re already supporting us via Patreon. If you want to join the ranks of our wonderful supporters, then pop over to Patreon  and help us for as little as $2 a month now!

And I wouldn’t be doing my job if I didn’t mention that Back to Reality is out now!

 

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I was on the Cover to Cover podcast this week…

I had good fun being interviewed by Lee Middleton on the Cover to Cover podcast this week. We talk Star Wars, the Bestseller Experiment, Back to Reality and my thwarted dream to become a firefighter. It’s a fab show for readers and writers alike. Click to listen… https://m.mixcloud.com/Studio5OnAir/cover-to-cover-episode-12/

The Death of a Goldfish (or, how to let go of that novel you’ve just written)

There comes a time when a writer must release their book into the big, bad world for people to read, praise, critique and ponder (or tell you how they would have written a different ending*).

You’ve lived with this book for some time. At least a year, if not longer. You’ve come to love the characters, their surprising quirks, their voices, and how they overcame seemingly impossible odds to find themselves at the end of the story a better and more complete person. Much like yourself, because we all know the writers are the real heroes, right?

Of course, the book isn’t perfect. None of them are. And the temptation is to continue to tinker, but the seasoned writer knows that sooner or later, like Queen Elsa of the ice kingdom Arendelle, they just have to let it go.

I’ve heard some writers compare finishing a book to the passing of a loved one, but that’s probably a tad insensitive. I’ve certainly experienced mournful feelings as I realise that I won’t get to spend time with these characters, but it’s nothing like proper grief, it’s more like… the death of a minor pet. Maybe a goldfish. Yeah, you’re sad for a bit, but then you realise the garden centre has loads more finny friends in their tanks.

So the key is you have to be brave enough to bury your goldfish.

Put that on a meme and see how far it gets…

Anyhoo, this is a long-winded way of telling you that I have finally “let go” of the novel I wrote with the Majesty of Motivation, Mr. Mark Desvaux! This is culmination of a fairly intense year of The Bestseller Experiment, the weekly podcast where we discover what makes a bestselling novel while trying to write, publish and market one in just a year.

I won’t lie to you, there were times when I thought this would be a complete and utter car crash, but here we are, with what I reckon is a really fun, page-turning adventure with characters you’ll love! Here are some amazing quotes…

 

 

So CLICK HERE to grab your copy now.

And in the meantime… I’m feeding another couple of goldfish.

 

 

*Yes, this happened to me recently… Two years after said book was released. ‘You’re a bit late, mate,’ I told him.

 

Launch day diary – Back to Reality

Yesterday, we finally launched our book Back to Reality (I may have mentioned it once or twice on social media), and it was an incredible day. Here’s what I wrote in my diary last night…

 

Monday 16th October

Publication day! I’m completely knackered, so here’s a quick summary…

My first solo Youtube Live starts well, but soon descends into confusion as it becomes apparent that there was some kind of problem with the link and a bunch of people were on the wrong Youtube page.

I’m stuck in a glass cubicle at work and I’m sweating, but the sales and reviews are coming in. The reviews are completely heartwarming.

We try and hook up with Mike Morris, but he’s in Dubai and we can’t connect so we have to drop his slot. Not great – nothing techie is working!

Second session with Desvaux is better and by now we’re number one in popular music on Amazon.com, nudging aside Phil Collins and Carly Simon!

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I’m humming by now, so stroll up to the Next near St Paul’s and buy some fresh t-shirts. It’s a warm, close day and the sky is amber and the sun is a blood orange – side effects of hurricane Ophelia, currently battering Ireland and Northern Ireland.

I freshen-up and change shirts in the toilet at work. We were hoping to speak to Joanna Harris, but the publicist whisks her away. Boo!

The evening Youtube session is the best one. We’re getting the hang of it now, and the enthusiasm from the listeners is wonderful and sustains us.

On the train home, and we’re #1 in three categories on Amazon.com, including Fantasy Humor… above Good Omens and The Colour of Magic…

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That’s a pinch-me moment!

Desvaux tweets Gaiman, who retweets us and my notifications go crazy. Desvaux says we’ll faint. Gaiman wants to see the faints, so we film them… More RT fun.

 

We end the day by finally getting an orange ‘Bestseller’ flag on Amazon.com.

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Mission accomplished.

Now for sleep.

One day to go!

What the what?? One day till publication?? In today’s episode Mr. D reads out our blurb (which had to be re-recorded at the last minute, as the blurb has gone through about 150 drafts this week) and I read an excerpt from the book in my best sexy-actor-voiceover-voice… It’s not that sexy. I have a weak ‘r’ which can wob the nawwative of its dwamatic tension.

Listening back, this episode is far too chilled for our penultimate episode… I think we were just knackered at this point. Click here to listen for yourself!

Till tomorrow…

Two days to go… a confessional

There are just two days to go till we publish our novel Back to Reality and my home internet has decided to go on strike, which has made the last few days interesting to say of the least. They say if you want to discover what someone is really like, then see how they cope with a slow broadband connection. I’m the Incredible Sulk, apparently…

In today’s episode of the Bestseller Experiment podcast, we look back at some of our favourite moments of the podcast, and it becomes something of a confessional as we discuss the Aaronovitch bollocking and the fallout from the Bryan Cranston episode. And, yes, I compare our podcast to Desert Island Discs, what of it…?

CLICK HERE TO LISTEN NOW!