I’ve done a fair few podcast interviews, but I’m in a strangely reflective mood in this one. I’m interviewed by the excellent Chris Deacy, and in lieu of finding a studio to record in we did this in my car (hence the occasional gentle whoosh of passing motors) and it was recorded the night before the US election. My favourite bit is my thesis that nostalgia is a slippery slope to fascism… Yes, I was in one of those moods! Do please enjoy…
My guest this week is Stephen Willoughby, who studied Theology at Lampeter between 1984 and 1987. After university, Stephen’s path took a technical turn – he became a computer operator and later completed an MSc in Computer Science at Aberystwyth, a journey that reflects a broadening of Stephen’s skills.Stephen now works in quality assurance and holds a PhD in a related field. Originally from Orpington in Kent, he now lives in Derbyshire.Stephen has had a lifelong passion for radio, sparked on his 7th birthday when he received his first radio set. He was captivated early on by classical music and Radio 3, but it was Radio 2 in the 1980s that gave him a window into the wider world. He's steeped in the station's history and recalls listening to Alan Dell on Sunday afternoons, including the public reaction when there was talk of Dell leaving the airwaves.We discuss the magic of live radio, the days when Radios 1 and 2 shared the FM frequency, and the role of DJs like David Hamilton—who used to include the pop charts in his Tuesday afternoon Radio 2 shows.Stephen also shares which stations he listens to today, including Boom Radio, and reflects on whether he’s more of a looking back or a forward-looking person.
My special guest GB Ralph and I reveal the things that are bringing us joy this month, including books, TV and games. See below for a full list of links…
This month’s special guest GB Ralph reveals the importance of deadlines, and why he sets up a book for pre-order before it’s even written…
TRANSCRIPT
MARK: What small thing has made a big difference to your writing process?
GB RALPH: A small thing that has made a big difference in my creative process is having a deadline. No deadline, nothing happens. Deadline: Let’s go. I work well to a deadline, which is something I learned back in school. But as an indie author, there’s not really such a thing as a deadline, so I had to create one myself, which is… the main one is setting up a preorder for the next book, which forces me to get going through that, don’t you?
MARK: Because if you get that wrong, certain online retailers get very upset with the authors.
GB RALPH: Oh yeah. I know, I know which is is motivating. It can be stressful, but I think it’s a good kind of stress, the motivating kind, not the debilitating kind. It’s still deadline. It can be a year away, which is forever. And I need to constantly remind myself that I need to make little deadlines along the way. Ones that have consequences. Otherwise, I’ll pull a Douglas Adams and enjoy the wooshing sound as deadlines go by.
In this special festive edition of the podcast I welcome GB Ralph, author of the cozy Milverton Mysteries series!
We discuss: Slow burn romance Writing in scenes and converting them to chapters Chapter word count analysis (it gets nerdy!) Tips for book launches Tips for writing on your commute and how Gavin wrote his debut novel on his phone What he learned from switching from romcoms to cozy mysteries How he uses deadlines to motivate his writing And the importance of narrators for audiobooks
This month’s special guest Mike Shackle reveals the importance of deadlines, why releasing each book is like a pay rise, and whether he’ll ever retire…
TRANSCRIPT
MARK: How do you know when you’re done?
MIKE: Deadlines, deadlines. Basically, every time I release a book, I. It’s like giving myself a pay rise each month of $1,500. So, yeah, it starts a big pay rise each each time over a year and things like that. So if I was being really cynical about my career, I would just be writing the next detective book and putting out… I had a discussion with this Sebastien de Castell, because he was talking about, you know, when do we know we’re going to retire? I mean, but, I need I know the, the money I like and I need to live on, but I have to make this stuff. I have to tell these stories. Even if it was just me doing it. And that desire to do that is only got greater as the years have gone on, I probably end up in a loony bin, dribbling in a corner, talking about Simon Wise and, you know, everything else…
This month’s special guest Mike Shackle reveals how he knows when to start working on a project…
TRANSCRIPT
MARK: What’s the thing that makes you think you’re ready to start writing on a project? MIKE: I have lists of ideas that I want to write that go back years. I write a Witchfinder, I write a Michael Dylan book. Right now it’s the Witchfinder. I should be writing a fantasy for the next couple of months. It’s like a little production line, but I have all these notebooks everywhere with different things that I’m working on, just so I can keep the ideas straight in my head. With the books that I write, my ambitions, and what I want to write. I they push me on and they’re the devil on my back, but they’re also the cheerleader saying, you can do it.