Michael R Miller is Epic

I did a panel with Michael R Miller at the MCM Comic Con yesterday and was once again struck by how generous he is with his advice. He’s done incredibly well since I met him at an Eastercon a few years ago, selling over 350,000 copies of his fantasy epic, but he’s always been the first to suggest new ideas and strategies for selling books and you would do well to heed his advice! It was great to get him back on the Bestseller Experiment to catch up on what he’s been up to, including getting Broken Binding editions of his books, having a D&D campaign based on his new series, and how he’s taken his experience with cystic fibrosis and used it in his fantasy world building…

And in the extended version for podcast supporters we discuss how you decided if you should write a series, trilogy or standalone, how to launch your audiobooks, and the differences between USA and UK editions of books. You can support the podcast here.

DO, meet your heroes

The adage “Never meet your heroes, for if you do, it will always disappoint” has been ingrained into us over many years. Yet, I find myself in strong…

DO, meet your heroes

Every little helps

I finished the first draft of Entrapment this week. There’s still a long way to go – one thing I’ve discovered about myself in the last year is that …

Every little helps

I’ll Be At The MEDWAY LITERARY FESTIVAL Thursday 8th June

Sunyi Dean and Mark Stay
AUTHORS TALK: 7pm-9pm.
Chatham Library and Community Hub, Dock Rd, Chatham ME4 4TX


Fantasy authors, Sunyi Dean whose Sunday Times bestseller ‘The Book Eaters’ is a unique take on the vampire myth, and Mark Stay (The Witches of Woodvile series), whose film ‘Robot Overlords’ starred Gillian Anderson and Ben Kingsley and is available on Amazon Prime, will be in conversation with Sam Hall.

Sunyi Dean is a biracial fantasy author who was born in Texas, grew up in Hong Kong, and now resides in the UK. She writes speculative fiction with a weird slant.

Mark Stay is a novelist and screenwriter. His Witches of Woodville series is published by Simon & Schuster, and his new film Unwelcome premiered at the Sitges Festival recently, and was released by Warner Bros. in 2023.

Free, book with Medway Libraries in person, phone 01634 337799, or via your SPYDUS account.
Chatham Library is fully accessible.
Nearest bus stop: Chatham Bus Station

Jonathan Whitelaw on the Bestseller Experiment

I’m always interested in writers who pivot from one genre to another. I read all across all sorts of genres, so why should writers be expected to write the same stuff for the rest of the their careers? (Answer: to make the marketing department’s life easier, but that’s a conversation for another day) So it was a delight to speak to Jonathan Whitelaw, whose first book was Iain Banks-style contemporary fiction, followed by a couple of satirical thrillers, and now he’s returned with a series of cosy murder mysteries with a unique crime fighting duo — a son-in-law and mother-in-law — in The Bingo Hall Detectives and The Village Hall Vendetta. Jonathan was really good fun. Enjoy!

Oh, and if outtakes are your thing, then hang around to the very end of the recording…

UNWELCOME is released in the USA this week…

American friends, UNWELCOME will be in selected cinemas from this Wednesday 8th March! To find if it’s showing near you simply click here, then on the BUY TICKETS button, and a list of cinemas and showtimes will pop up!

The Ghost of Ivy Barn by Mark Stay

August, 1940. The ghost, the witch and the traitor… As the Battle of Britain rages overhead, a warlock leader from the Council of High Witches comes …

The Ghost of Ivy Barn by Mark Stay

Best Books of 2022 and chat of things to come

Happy New Year from all at The Enchanted Emporium and we wish you a magical 2023 with plenty of happiness, good health and laughter. And books, lots …

Best Books of 2022 and chat of things to come

My Favourite TV of 2022

As someone who is still catching up on The Sopranos, I struggle to keep up with all the good telly out there. So this is by no means a definitive best of 2022 (still haven’t seen The English, SAS Rogue Heroes, or Normal People). This is merely my favourite shows from what I managed to actually see in 2022. And why not start with the biggest surprise of all…

ANDOR

A prequel to a prequel that has no right to be half as good as it is. And it’s restored my faith in the Star Wars universe. All props to Tony Gilroy who has taken some complex ideas about sacrifice, rebellion and loyalty and delivered a slow burn that pays off in spades. If you want to hear me waffle on about how brilliant this is for over two hours then check out this episode of the Authorized Podcast. Oh, and an honourable mention for Obi-Wan Kenobi. I know a lot of people didn’t like it, but I did for no other reason than Ewan McGregor finally got a chance to play that character with a decent script that had some depth!

DON’T HUG ME I’M SCARED

Did you ever see a show that was so strange and twisted that you feel like it was made specifically for you? DON’T HUG ME I’M SCARED is that show. Surreal and darkly funny this is NOT a children’s show… despite looking remarkably like a lot of the warped kids’ shows I grew up on.

FOR ALL MANKIND

A simple concept: what if the Russians were first on the moon? How would that change the space race and history? Brilliantly executed, this is terrific alt history. It gets a little soapy at times, but always pulls it back. I gobbled up three seasons this year. Can’t wait for season 4.

SEVERANCE

A man called Mark has a baffling office job that’s so soul destroying he agrees to a process that separates his non-work and work memories. Hmm… what was it about this that so resonated with me? And look at that cast: Adam Scott, Christopher Walken, John Turturro and Patricia Arquette firing in all cylinders.

OUTLAWS

And speaking of Christopher Walken… I don’t know how Stephen Merchant convinced him to do two seasons of this brilliantly funny show about a bunch of community service misfits turned drug dealers, but I’m glad he did. There are a few scenes where you can see the extras beaming because they’re in a scene with The King of New York!

BETTER CALL SAUL

So… so good. Such an emotional rollercoaster. So many shocks and surprises. And what a great ending. And the fact that Rhea Seehorn hasn’t won every acting award going should be a matter for the courts. She was robbed.

SLOW HORSES

Gary Oldman has said that he could play Jackson Lamb for the rest of his career, and I kind of hope he does. He’s having so much fun and the rest of the cast playing MI5’s rejects at Slough House are having a ball. I haven’t seen season two (yet), but I plan to savour it all very soon.

WELCOME TO WREXHAM

I rarely give two hoots about football, but as a study of a community that has its identity tied up in failing team this is binge-worthy stuff. Toss in to that the disruptive influence of Ryan Reynolds and Rob McIlhenney who buy the team in an effort to restore it to its former glories and I’m suddenly on the edge of my seat with every corner kick. This will give Ted Lasso a run for its money when it comes to heartwarming footie shows.

GHOSTS

This just gets better and better and is still full of surprises while pushing the boundaries of family-friendly telly, ‘He got sucked off!’ There hasn’t been such a brilliant writing/acting/comedy combo this good since Python.

HONOURABLE MENTIONS…

PAM & TOMMY

Okay, this might have outstayed its welcome a little bit, but it has a talking penis and you can’t ask for more than that, surely?

STAR TREK: STRANGE NEW WORLDS & LOWER DECKS

After the too-serious mumblecore of Discovery, Star Trek decided to be fun again!

SHE HULK and MOON KNIGHT were fun if a bit forgettable.

RINGS OF POWER and HOUSE OF THE DRAGON looked like the real thing, and almost felt like the real thing, but they lacked the little something extra that Tolkien and Martin brought to their worlds. I’ll probably come back for more, though.

ONLY MURDERS IN THE BUILDING was fun if confusing.

And I enjoyed a couple of horror anthologies on Netflix: CABINET OF CURIOSITIES and THE HOUSE. A little hit and miss as with any anthology, but these are always great testing grounds for writers and directors and I hope there are more.

And I hope to see more of WE ARE LADYPARTS…