Brandon Sanderson on the podcast this week!

A bit of a legend on this week’s podcast. Just before Christmas I was lucky enough to grab an interview with fantasy titan Brandon Sanderson while he was on his UK tour for the truly mammoth Oathbringer.

I’ve seen Brandon at a few convention panels in the past, and he always gives thoughtful answers, and he has his own podcast – the excellent Writing Excuses – so I knew he would be a terrific guest. And this was one of the reasons we opened the questions to our Patreon supporters, who gave us some cracking queries for Brandon, and some of whom are currently freaking out on social media having heard his replies.

You can listen to the interview here.

Thanks to the wonderful Stevie Finnegan for finding time in Brandon’s busy schedule for us!

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If you liked that episode and want some more, we’ve started having post-podcast deep dive discussions for our Patreon supporters. You can support us and get the extra content here.

And if you’re looking for something new to read in 2018, then grab a copy of our novel Back to Reality on Kindle now!

SHANNON MAYER

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Listeners’ Question Time – Bestseller Experiment ep70

The new episode of the podcast is online. This was a live recording, inasmuch as were live on Youtube for our Patreon supporters who had either sent questions in advance or were asking them in real time. It’s a format we tried on the launch day for Back to Reality, and I really enjoy it. We talk about mailing list and blog tips, the differences between developmental edits, copy edits and line edits, private Pinterest boards and all sorts of other shizzle.

If you want in on this next time, then come and support us over at Patreon.

In the meantime, you can listen to this week’s podcast here.

And if you’re a fantasy fan, be sure to check out our interview with legend and all-round nice guy Tad Williams here.

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And I wouldn’t be doing my job if I didn’t mention that Back to Reality is out now!

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The Bestseller Experiment is back!

After a bit of a post-publication break, the Bestseller Experiment podcast has returned, with an episode we recorded… back in September…

Okay, so that’s maybe cheating a bit, but it’s an excellent episode featuring three of Orion’s top publicist sharing their secrets of the trade.

Elaine Egan won an award this week for her excellent work on Lucy Vine’s debut Hot Mess (including getting her a much-prized guest spot on our beloved podcast), Lauren Woosey who recently arranged our interview Victoria Aveyard (tune in next week), and Virginia Woolstencroft who squeezed us into the busy schedule of some bloke called Bryan Cranston. They’re full of really useful advice, so if you want in on some tip-top publicity tips, listen here now.

And speaking of amazing publicity, our wonderful publicist Lisa Shakespeare got us a double page spread in Publishers Weekly. You can read the online version here, or the slightly longer print piece here.

If you’re even remotely awesome you’re already supporting us via Patreon. If you want to join the ranks of our wonderful supporters, then pop over to Patreon  and help us for as little as $2 a month now!

And I wouldn’t be doing my job if I didn’t mention that Back to Reality is out now!

 

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Why so many writers want to be in a band

Stephen King had the Rock Bottom Remainders with its roster of bestselling authors, Ken Follett still plays in Damn Right I’ve Got The Blues, and whenever I’ve had a Skype conversation with another writer there’s always a damn guitar in the background.

Writers wanna be rock stars*.

I had a great seat for a Squeeze** gig at the Royal Albert Hall the other night (courtesy of publicist and gentleman Mark McGinlay). I was so close to the stage I was able to offer some constructive criticism as they played…


I love watching bands play. Not necessarily the lead singer, but the rest of the group as they interact, keep the beat and, most crucially, stay in the moment.

You might think that writers want to be in a band for that sense of camaraderie, and, yes, there may be some truth in that. But they don’t want to join a band to meet people! Especially people they might be forced to share a tour bus with. Yikes. No. If they want to meet people they can invent their own and keep them on the page where they can torture them like the control freaks they truly are. Writers wants to be in a band for very a different reason.

Writers secretly envy musicians.

Musicians dare not do the thing that most writers do as habit: every thirty-seven seconds a writer will look up from their keyboard and stare out of the window while wondering if it’s time for another cup of tea and a chocolate hobnob.

Squeeze played for two hours straight, and the musicians closest to me — the drummer, percussionist and bassist — never missed a beat. They were relaxed, smiling at one another, having a great time, but they never once forgot that they were playing before over four thousand paying punters at the Albert Hall and any mistake would be laid bare to eight thousand eyes staring at them.

If only we writers could sustain our concentration for that long.

So, today, when you’re writing, make your hero Yolanda Charles, bass player. She was the musician playing closest to me and she never lost concentration once. She was always in the moment. She never even contemplated leaving the moment. She kept the moment in its place. And she knew that the moment was a living, breathing thing that had to be constantly fed or it would leap up and push her off the stage.

Happy writing – now get back to work… and concentrate!

Oh, and if you love rock and roll (with a light touch of time travel) I just wrote a novel that you might like.

And if you want to support our work on the podcast, we now have a Patreon. Do please support us and we can keep this crazy train rolling.

*Sportsmen want to be in bands too, but that’s because they’ve spent so much of their lives getting up at the crack of dawn to run/swim/drive in circles that they’re boring and don’t have any real friends and are looking for a sense of belonging… but that’s a rant for a future newsletter. 

**And if you don’t know who Squeeze are, you’re in for a treat: catchy songs with the most sublime lyrics that are able to summon up characters, places and tell stories in a way that many novelists struggle to evoke in ninety-thousand words. Listen and learn. The use of tenses in Up The Junction is a masterclass in how to break the rules and make it work…

 

 

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