Nicola May’s Biggest Mistake: “Don’t Snap at the First Thing…”

This month’s special guest Nicola May reveals the biggest mistakes (sorry… “learnings”!) of her writing career…

TRANSCRIPT

MARK: What’s the biggest mistake you’ve ever made in your writing career?

NICOLA: Now I like to call them learnings, Mark Stay, not mistakes.

MARK: Okay. Very good, very good. Yes, I like that. Yes. Good.

NICOLA: I’ve made many learnings. One of them, actually I went with W.H. Howes for the Corner Shop in Cockleberry Bay for my audiobook. There’s nothing wrong with W.H. Howes. I was jobbing at the time. I’d given up a big corporate job. I got offered 500 pounds advance. I was like, wow, I’ll take that. Thank you very much. Yeah, yeah, a big mistake because I now know how to create my own audiobooks. The other three, I’m making a very nice living, thank you very much. Because audiobooks really heightened in the last year. So again, I think the moral of this tale is if you’re just starting out and somebody does offer you something, don’t snap at the first thing because you know you’re good enough. But if somebody big like… or anyone offers you something, so take a step back and think, okay, maybe I should go and look at other avenues rather than jump at the first opportunity with anything, with an agent, with a publisher, because we all get so excited. But I think if someone thinks you’re good enough a lot of other people will. So that’s my little bit of advice on that one. My other mistake, and I shouldn’t really call it a learning, is not to go with one of the top five publishers and be traditionally published. It was something I always dreamt of. I thought, this will make me… I will be a world wide international superstar. I signed a three book deal for the Ferry books. Don’t get me wrong, I was… The advance was incredible, but the marketing wasn’t after, and I felt that I had… I was a million miles away from the people who I was dealing with at the publisher. And I think because I’m such a control freak, being an indie publisher, I didn’t like that lack of control. So it’s almost… I don’t think I actually marketed those books as well as I did in my other books, because I kind of lost a bit of heart, to be honest. So again… but it’s not for me… for somebody it would be the most amazing thing in the world to be with a trad pub, but it didn’t work for me.

The Prologue of the Robot Overlords audiobook is now on Youtube…

I’ve been meaning to do this for ages! The whole of the book’s prologue, featuring an excellent reading by Rupert Degas, is now on Youtube for your delight and delectation. Enjoy…

The full audiobook is available on Audible and iTunes, and if you’re a first time visitor to Audible then you can choose a FREE audiobook, so why not start with an epic story of Robot world domination overthrown by a bunch of kids from the UK? Go on. You know you want to…

Audible UK: http://goo.gl/fzwGCc
Audible.com (USA & elsewhere): http://goo.gl/yPrp67
iTunes: https://itunes.apple.com/gb/audiobook/robot-overlords-unabridged/id1006874299

And there’s more about the book here: http://unusuallytallstories.com/robot-overlords-get-the-book/

“You’ve got bread on your nose…” Favourite comments from comic-cons 2015

It’s been a hell of a fun year, and one of the highlights has been attending a record number (for me) of festivals and cons to plug and pimp the ROBOT OVERLORDS film and book. If I was lucky enough to meet you, then thanks for taking the time to chat, if you bought a copy of the book, then you have my undying love, and if you torrented the film, then I hope your tiny genitals shrivel and die 😉 winky face!

The year ended with the biggest one of all, the MCM Comic Con at the Excel Centre in London. I was invited by fellow author and all round gentleman Kit Cox to join him selling and signing books for the whole weekend. Make no mistake, this is a huge event; the footfall on the Saturday alone is over a hundred thousand people, and they’re all eager genre fans, many in wonderful cosplay, and the feeling of belonging and bonhomie is infectious. I started keeping a tally of how many books I sold, but then started jotting down some of the comments made by those who visited my stall. It’s a brilliant snapshot of the kinds of people who come to cons, and I’ve broken them down into three sections: THE WONDERFUL, THE BIZARRE and THE HUMBLING…

THE WONDERFUL

Comments to make an author’s heart swell…

“Such a cool film, there’s nothing like it.”

“You had me at Robots and explosions!”

“I sell your book in Israel!” A passing Israeli bookseller.

“He’s buying this because he torrented the film after I recommended it!” A punter making his friend buy a copy of the book.

“I’d better get some cash!” A punter, after I pitched the book to them… and they actually came back and bought it!

“I’m Chris Lunt’s agent!” Chris is the show runner on the TV version of Robot Overlords!

“This is our first comic-con…” A slightly overwhelmed father and son (who bought a copy of the book).

“Can’t remember the last time I bought a book…” And he bought a copy!

“Where does the food come from? Where’s the booze? Can you imagine a completely dry country? It’ll never work!” A punter trying to pick holes in the premise. He bought a copy after I reassured him that we’d thought all this stuff through and that there was plenty of illegal hooch in a Robot-occupied UK.

“Dystopia is, like, my favourite, evah…” A wonderfully stereotypical emo teen.

“If it’s rubbish, I’m coming back.” A punter after buying a copy. He didn’t.

“I auditioned for this!” Young actor John Otteson!

“That little guy freaked me out.” Job done, Craig Garner!

“I’m downloading it right now.” Someone who bought the audiobook from Audible right in front of me!

“I love your film!” Several people. I love you, too.

THE BIZARRE

From the adorable to the baffling…

“Do you mind holding my bow while I go for a wee?” A Katniss cosplayer.

“If he finishes it, he gets fifty quid!” A father determined to get his son reading books. Who am I to argue with this carrot-on-a-stick version of parenthood?

“Everybody’s sucking Chinese dick.” A fellow writer/illustrator on the current state of Hollywood film production.

“I hate to be the person who asks where another table is…” Several people who mistook me for an information desk. I was happy to help…

“Oh my God! Monkey Magic!” A punter who was distracted mid-pitch by some fantastic Monkey Magic cosplay.

THE HUMBLING

Comments to bring the ego down to Earth with a bump.

Now, bear in mind that these comments came from folks standing right in front of a table with two showcards featuring the book, big piles of the book, and a bloody great quad poster of the film shouting ROBOT OVERLORDS in big shiny, silver letters with the release date stated plainly below…

“Is the film out yet?”

“Are they going to make this into a movie?” You never know!

“Are you the writer?”

“I think I’ve heard of this…”

“And that would make you… Mark?” A punter squinting at the showcard, then the book, then me…

“That’s a bit of a cliché, isn’t it?’ A kid on the title. I somehow resisted clipping the precocious little nerk around the ear’ole… Too many witnesses.

“I can’t finish long books.” A young boy. Try writing them, mate.

“When is this in cinemas?” Sorry mate, you blinked and missed it.

“Doesn’t look anything like her…” A punter looking askance at Gillian Anderson on the poster (who clearly hasn’t seen her in anything since The X-Files).

“Free book?” No. Buy one or fuck off.

“I haven’t got any cash!” from a punter after I spent a good five minutes pitching the story.

“I only brought thirty pounds!”

“I don’t read and I’m broke.”

“I’ve run out of money!” Everyone after 5.30.

“You’ve got bread on your nose…” My son, who pointed out that I still had some of my lunchtime sandwich attached to me after I spent a long and futile five minutes pitching the book to a couple who, perhaps understandably, spent the whole time looking at me funny.

 

I had huge fun at these cons, and sold a ton of books. I’m surprised the major publishers don’t have a presence at these. Certainly plenty of indie authors do pretty well, and I hope to do more in the future. If we should meet, don’t hesitate to ask about the film’s release date, plot holes, the state of Hollywood’s sexual peccadilloes, or where the manga books are sold, just don’t boast about torrenting the film, because I will have to kill you with the bow and arrow that nice lady asked me to look after while she was taking a whizz.

Listen to these exclusive clips of the Robot Overlords audiobook…

I took delivery of a master CD the ROBOT OVERLORDS  audiobook today, and have been able to listen to a couple of previously unheard clips and I’m delighted to share them with you today!

The audiobook is read by Rupert Degas, one of the best readers in the business, and I’m absolutely thrilled with what he’s done. Rupert hasn’t seen the film, so his voices are based entirely on the characters’ descriptions in the novel (Mr Smythe sounds like Brian Clough!), and he’s made the story his own, giving fresh readings to lines familiar from the film.

It’s also been beautifully produced by audiobook veteran Peter Rinne, who has seamlessly woven in excerpts from Christian Henson’s movie score, and the film’s original sound effects. The audiobook also includes the short story THE MEDIATOR PROTOTYPE and my behind-the-scenes shoot diaries, and it’s available to order now from Audible UK and Audible.com and iTunes.

The first clip is from the prologue, THE DAY WE LOST THE WAR and features multiple vaporisations – enjoy!

 

And this clip is called BEWARE THE SENTRY and finds our heroes on the run from the clankers…

 

The Robot Overlords audiobook is now available to pre-order!

9781409162520

Absolutely delighted to report that the audiobook version of ROBOT OVERLORDS is available to pre-order from Audible now – it’s released on 18th June and is read by audiobooks legend Rupert Degas, who has hundreds of audiobook credits to his name and also crops up in some of my favourite cartoons, including THE AMAZING WORLD OF GUMBALL. I’ve only heard a short excerpt, but what he’s done with the Mediator’s voice is absolutely brilliant: the love child of Stephen Hawking and a Dalek.

You will also be able to hear my dulcet tones as I’ve recorded my ‘Afterword on living life dangerously’, and shoot diaries as added extras. In early May I found myself in the beautiful Gloucester countryside recording in producer Peter Rinne’s start-of-the-art recording studio/garden shed…

The perfect man cave...
The home studio that I want when I grow up…

The audiobook will also include the short story THE MEDIATOR PROTOTYPE, an abundance of stomping, clanking and blasting Robot sound effects from the film, and excerpts from Christian Henson’s magnificent score, so it’ll be a full-on audio treat.

You can pre-order now from iTunes, Audible UK and Audible US. Happy listening!