Editing Tips with Gareth L Powell

This month’s special guest Gareth L Powell reveals how he revises his manuscript as he writes, leading to a stronger first draft…

Or watch it on Youtube…

TRANSCRIPT

MARK: Question from Gavin here. Does rereading yesterday’s chapter and editing as you go slow down the drafting too? Or are the time savings on future drafts worth the effort on earlier drafts? That’s a great question there Gavin. So you’re spending that time, sort of, re-read… build up momentum up. Does that mean when you sort of break through the wall of yesterday’s work and you’re writing fresh words today, you’re moving faster and with more clarity than you would otherwise? 

GARETH: I think so, yeah, definitely. And I also try never to end a day’s work at the end of a chapter, because if you end up at the end of a chapter, then the next day you wake up to a blank white page again and I’ll have to get started. And it’s, you know, there’s enough white space to make Ranulph Fiennes nervous and… So it’s going back and sort of editing the the previous chapter gives you like a run up. And it definitely, definitely does save time doing future drafts. Because you’ve already picked up a lot of, you know, a lot of problems, a lot of typos and stuff, you will still have to go back and change, but you’ve done some of it.

Gareth L Powell “Like Easing into a Hot Bath”

This month’s special guest Gareth L Powell reveals how starting a novel is a bit like bath time (without the rubber ducks)…

Or watch it on Youtube…

TRANSCRIPT

MARK: What’s the thing that makes you think you’re ready to start writing on a project?

GARETH: As I was saying earlier, it is… sort of things gradually accrete, and sort of clump together and, it’s kind of… there isn’t a single kind of, oh, let’s go! But I kind of write my way into it. So I’ll start, you know, I’ll write the first line, I’ll write a paragraph and think hmm, okay. And then I’ll go back and I’ll rewrite the outline. The outline is usually about a page, just a very brief kind of high level overview of the plot. And I’ll rewrite that about ten times to fix it. And then I’ll start writing a first chapter, maybe that won’t be going anywhere, so I’ll start again. Or realise I picked the wrong character, and I just kind of write my way into the book so that by the time I’m about 5000 words in, starting to pick up steam, and I think: right. I know where we’re going now. So I might chop out the all the original stuff, but yeah, it’s kind of like easing yourself into a hot bath.

MARK: (Noting a listener comment): Elinor says this is the most British conversation ever. Tea and a hot bath. Yes. Brilliant.