Thanks to my Odeon Limitless card, I’ve seen more movies than ever before in the last twelve months, but I still haven’t got around to seeing this…
And there’s a very specific reason for that. I just can’t bring myself to see it. To do so would be like revisiting a very bad toothache. Let’s go back to my diary entries for ten years ago today, when I had a meeting with Dean Fisher, who was producing Waiting For Eddie, which I hoped would be my debut film (it wasn’t)…
Monday 8th January, 2007
Dean asked if I was interested in another project he’s developing. It’s called ‘The Office Christmas Party’, and comes from a party witnessed by his brother. So far it’s just a series of ‘It really happened’ events. There’s no story or even a rough outline, but in some ways that’s best if it gives me more of a free reign. Anyway, I’ll look at what he’s got and see if it’s do-able.
Tuesday 9th January, 2007
I read the notes for Dean’s ‘Office Christmas Party’ idea… Yikes. There’s really nothing to work with. It’s basically what happens when you give people a free bar and too much coke. The concept is a good one, but I’d have to start from scratch and I have a nagging doubt that Dean doesn’t have the money to pay me for that.
Wednesday 10th January, 2007
Agreed with Dean to put together a two-page treatment for his April deadline…
The more observant of you might be asking, ‘What the hell? You clearly didn’t like the idea, so why are you writing a treatment for it?’ Indeed, and you’d be right to be confused. But I was inexperienced, eager to please a producer who was developing another project of mine, and I had the writer’s hubris to think that I could mould this idea into a personal statement. How wrong was I? Well, let’s say this led to a further three and a half years of working on a film that would never happen. Three and half years! I know this because I looked it up in my diary…
Wednesday 8th September, 2010
Dean called yesterday and I think I’ve finally laid the ghost of The Christmas Office Party to rest. I simply told him I’d run cold on the idea. He was disappointed, but seemed resigned to it.
You’ll note the slight title change there (because we didn’t anyone thinking it was anything to do with Ricky Gervais’s The Office… how times have changed). It’s not a question of the time taken, or not being paid – I’ve worked longer and for less on other projects – but the difference here is I was completely wrong for the project. I didn’t believe in it, I didn’t like the tone they wanted, nor had I any experience in writing a raucous comedy, but I still said yes. It was an interesting concept, and I thought it could get made, and when you’re an un-produced screenwriter, all you really want in life is to get something made.
The lesson I had yet to learn is the most powerful thing a writer can do is say No.
Seriously, try it.
Saying no means you can move and find something new and follow your passions. Saying no means you still have all the power. Saying no means they might even consider paying you for the project.
Saying yes means you’re suddenly obliged to deliver writing, for little or no money, and with no end in sight.
This isn’t to disparage Dean as a producer. Like all indie producers, he’s building a slate and simply doesn’t have the money to pay writers for endless drafts. The mistake was all mine, and hindsight is a wonderful thing.
So, it was with very mixed feelings when I first saw the trailer for ‘The Office Christmas Party’. It was a good idea, and Dean had beaten Hollywood to it by ten years… he just needed the right writer. Trouble is, it wasn’t me.
Mark Stay Writes 