You Are Not Your Software – My Writing Diary, Ten Years On, Monday 18th September 2006

There’s a lot of fetishisation* around the writing process. Articles and books on screenwriting would tell you about George Lucas only writing on yellow legal pads in pencil, attributing part of the mystique of Star Wars’ success to this arcane ritual.

Then he went and wrote the prequels the same way.

And perhaps you’ve heard the quote about Hemingway writing drunk and editing sober (though he probably never said it)? Or of Anthony Trollope getting up at the crack of dawn to write for three hours before going to work at the post office? Or of the many authors renowned for writing in bed?

Everyone seems to have their rituals, and accompanying magic talismanic devices to ensure that the muse is welcomed into their aura and the magic can begin. If the modern screenwriter is a knight valiantly overcoming the onslaught of movie execs and development notes, then our hero’s sword and shield are Final Draft and a Macbook. In September, 2006, I came into a bit of money thanks to a defunct pension scheme. I had two grand spare! My wife wanted a new kitchen. Guess what I got instead…?

Monday 18th September, 2006

The Mac came with me on the commute to work. Progress on the script was slower than I would have liked as I’m still getting used to the peculiarities of Final Draft. It was distracting, too, as I spent more time worrying about formatting than the script itself. I’ll get used to it though**

Final Draft touts itself as the industry standard, with the inference being that you simply can’t call yourself a screenwriter unless you have a copy. It’s expensive and brimming with features that you probably won’t ever use, even if you go into production. In my experience it’s been fairly well behaved, but like Microsoft Word it has to be all things to all screenwriters and as a result it feels very top-heavy… Oh, and every now and then they update it in a way that means you can’t open old versions of your script (at least, not without a huge hassle) and they charge you more dosh for the privilege. That’s always fun. For a very entertaining debate on the vagaries of FD, do check out the transcript of this episode of Scriptnotes. These days I keep it simple. Slugline is favourite, though I also dabble with Highland and Fade-In, all of which are based on Fountain, a plain text markup language.

But back in 2006 I felt like I had joined a secret club. Until now I had been writing in MS Word and formatting everything manually. Final Draft did all the formatting as I typed, which was very nifty, and I had a MacBook! Surely a Hollywood movie deal was just around the corner?

Not exactly. I still had to write. Once I got used to all the keyboard shortcuts, I was still just a writer trying to make words on a page jump into the reader’s head and screen a movie. There’s no software for that.

A ritual does not make you a writer, Final Draft and a Macbook does not make you a screenwriter, a Fender Stratocaster does not make you Eric Clapton. You are not your software. I should have bought a kitchen.

Just get words on a page. Pen on paper, pencil on a yellow legal pad, words on a screen. Build a story. You can worry about the formatting shizzle later.

By the way, MacBooks are also expensive and brimming with features you will never use. But they’re bloody awesome, and the software updates are free.

*A word I can type, but simply cannot say aloud without sounding like a drunk.

**Sort of did… eventually…

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MarkStayWrites

Author, screenwriter, and co-founder of the Bestseller Experiment podcast.

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