So much good stuff in this week’s podcast. I got to chat with Richard Armitage about his new Audible original thriller Geneva. I think writers can learn a lot from actors in how they approach a script and develop characters, and Richard was very generous in sharing the methods he uses.
This episode also sees the return of Mr D, and in the extended version of the podcast (for subscribers) we discuss his night in Leicester Square seeing Unwelcome. If you want support and subscribe to the podcast, pop over to Patreon and become a Chart Topper supporter and you’ll get access to over 120 Deep Dives.
One of the easiest jobs I had when I was a sales rep was selling Simon Scarrow’s books to booksellers. Of course, the writing is superb, but so much of that first book, Under the Eagle, had everything it needed to become a bestselling series. A great premise, a great package, and Simon knew exactly who his readers were. Lots to absorb in this one! I was joined by guest co-presenter Julian Barr, whose own fantastical historical fiction is definitely worth checking out. Have a look here!
Peter May has this uncanny knack of peeking into the near future, writing about it, and getting it right. He did it with his novel Lockdown, which was about a SARS-like pandemic. It was rejected by all the major publishers for being unrealistic… Those same publishers clamoured to buy it when Covid changed all our lives. He’s done it again with his novel A Winter Grave, which is set in a near future that’s been ravaged by climate change.
If this all sounds a bit grim, don’t worry. Me and my guest co-presenter Caimh McDonnell do a good job of lowering the tone with some grounded writing advice. And this is the episode where I reveal why Caimh is thanked in the credits of Unwelcome.
Oh, and if you’re watching the Youtube version, have fun spotting the moments where my internet dropped out and either me or Caimh have baffled expressions on our faces…
Finally that film what I wrote is unleashed upon an unsuspecting public! UNWELCOME is in UK cinemas today (it’s coming to the USA March 10, and the rest of the world soon after). Does this mean I’ll stop spaffing on about it? Nope. Once again for those at the back, here’s the trailer…
The question I get asked the most is, “Are you going to see it?” To which the only reply is, “No bloody way.” I had my dream screening at the Sitges Film Festival, and with all due respect to the good folk munching popcorn, slurping on vats of coke, and checking social media during the screenings at my local megaplex, it just won’t be the same. Plus, I’m a big chicken. And I really want to see The Fabelmans.
I also get asked, “Is it on near where I live?”, like I go around with a list of screenings in my head (I can barely remember what day of the week it is). It’s on 300 screens in the UK/Eire this week, and my podcast colleague Mr Desvaux reassures me that clicking on this link will give you the local screening times/places… Though when my dad tried it, he got listings in Singapore, so I’m now worried that he’s probably been hacked.
If you want to know more about the making of the film, there’s a Bestseller Experiment Deep Dive with me and director Jon Wright. We recorded this back in the summer of 2021, when we were doing what they call EPK (Electronic Press Kit) interviews and had all the cameras and mics handy…
And Jon is also on a special episode of the Film Stories podcast talking about the film and his career…
I was rubbish at Maths at school, so it would have been wonderful to have to something like Lou Abercrombie‘s book AMAZING MATHS when I was a wee lad. Lou tells me about this new book and her fab children’s novels, FIG SWIMS THE WORLD and COMING UP FOR AIR and how she’s inspired by water.
And if that wasn’t enough, listeners/viewers also get a sneak peek at a special Deep Dive I recorded a very long time ago when director Jon Wright and I answered listener questions on the making of our film UNWELCOME. That Deep Dive goes live on Friday, which is the same day as the film’s release in the UK! Which are you more excited about…???
Every now and then an author comes on the podcast and says those magical words, ‘How honest do you want me to be?’ Matt Cain doesn’t hold back when talking about the squeamishness of UK publishing to embrace commercial LGBTQ fiction.
Matt endured rejections from thirty agents and fifty publishers before getting his debut novel published… and then it didn’t work out. Matt tells us how he made an extraordinary comeback, breaking crowdfunding records with The Madonna of Bolton, having a smash with The Secret Life of Albert Entwistle, and now he’s back with Becoming Ted, his latest heartwarming novel about following your dreams.
And in the extended version for Academy members and podcast Patrons, the Two Marks discuss writing with an authentic voice, titles, rejection, and much more!
WE DISCUSS…
The importance of an author’s authentic voice
Why gay fiction doesn’t need to be literary and serious to sell
And how, after rejection and failure, to make a spectacular comeback…
It’s common for authors to experience failure and rejection, but if you really want to know what it’s like to be constantly knocked back, then be a screenwriter! So many of the scripts I’ve written will never see the light of day, but that’s all part of the fun of screenwriting. I was delighted to discover that even a writer as successful as Cole Haddon has had the same bumps in the road, but he’s embraced failure as the best way to learn and move forward. Enjoy…
A rare thing these days: an in-person interview for the podcast! I got to meet the delightful Christian Cameron in the bowels of Hachette’s big publishing castle near Blackfriars Bridge. We discuss worldbuilding, research, and learning to write without doubting yourself (something I’m not sure I’ll ever get the hang of). Also, before the interview, Me and Mr D discuss AI and how it might impact authors over the coming years…
We bang on about our 200 Words a Day Challenge on the Bestseller Experiment podcast constantly (click here to find out more), so it only seemed fair that I should give it a go. It also occurred to me that the sheer number of projects I had lined up for 2022 might benefit from me writing every day, so why the hell not.
I was also inspired by one of our listeners, Mark Hood, who (at the time of writing) has written every day for over 1100 days. Check out his daily word counter here.
How to keep track of these words? I downloaded a simple to use spreadsheet from MoonBunny Creative’s Kofi page. In fact, I’ve just got my 2023 spreadsheet from Moonbunny here. I saved it on my desktop and popped the words in at the end of every session.
Here are the numbers…
A total of 388,854 words in 2022.
That’s 32,405 per month. A little over a thousand words a day. I rarely wrote more than 3,000 words a day, and in December there were a few days where it was a scrabble to get to the 200 minimum (mostly due to travel/family commitments).
Those 2599 minutes per month translate into about 43 hours a month spent writing… Which, considering I’m supposed to be a full time writer, doesn’t feel like a lot. But I’m also taking meetings, travelling to conventions, co-running/presenting a podcast, interviewing authors/guests, editing books and scripts for clients, and doing housework (it’s often the only exercise I get during the day!).
I also only average 13 words per minute, so I’m not particularly fast.
But… I wrote every day and, as you can see, it all adds up. I usually start at 7:30am on my main project and work for two hours. I start writing by hand in a notebook (each project has a specific notebook), usually typing it up the next day and, in the process, redrafting it. Later in the day, I might work on a secondary project, or edit a client’s book etc.
May was my most productive month as I was in the thick of the drafting of Woodville #4 (exciting title to be revealed soon!). January was my least productive month, at least in terms of words, as I was in the thick of drafting TV scripts: lots of story, though not as many words as a novel.
What Was I Writing?
Here are the projects I worked on in 2022. Most of these have vague titles/descriptions because they’re either works in progress, or they simply haven’t been picked up or announced yet.
YA TV Science Fiction series: a pilot episode, a series episode, and pitch document.
New Fantasy Novella (hoping to self-publish this next year).
Cosy Crime Mystery that I’m co-writing with my wife Claire.
A Disco-themed RomCom screenplay that I’m working on with another writer and is in development with a production company.
What’s Not Included?
I only counted words that contributed towards creative projects, so I didn’t include my diary entries, emails, newsletters, blogs (like this one), or any of the notes or reports I’ve made while editing books/scripts for clients. I’m also a story consultant on a TV thing, which involved reading scripts and giving feedback, but while that was sort-of creative, it’s not my show, so I didn’t count them.
Was it Worth it?
I remember in those early episodes of the podcast where almost every author we spoke to said they wrote every day, and we got very excited thinking we were onto something… Until we got to Sarah Pinborough who said in her own brilliant way that she thought the whole “write every day” ethos was “bollocks” (listen to the full episode here, it’s one of my favourites). And she’s right in a way… If we’ve learned anything in over six years of the podcast it’s that every writer finds their own way of doing things. There are no rules, only principles.
That said, if you’re just starting out then one of the most important things you can do is develop a regular writing habit. And all you need to do is write 200 words a day. You can do that in 20-30 minutes tops. We ask people to try it for a week, and see if they get hooked (and they very often do, and also end up writing a lot more than 200 words a day). It’s less intense than NanoWriMo, and if you follow the #200WordsADay hashtag on Twitter you’ll find me and a community of writers sharing our word count every day. We’re all in it together. Sign up for free to the challenge here, and download Moonbunny’s tracker here.
Was it worth it? Definitely. I got a lot done this year, and I never lost any momentum and it never felt like a burden. Will I do it again? I think I probably will… I might give myself more time off over Christmas next year, but who knows? The thing is, I love writing. It’s a privilege to do it full time, and getting those words in every morning is my happy place. When I’m writing, nothing else worries me and I can’t wait to get back there again. Maybe I’m just weird? Or I’m a writer? Or a combination of the two?
Happy New Year to you all and good luck with your writing in 2023!
We don our terrible Christmas sweaters and hats to celebrate the festive season and look forward to 2023. I test Mr D with a super-duper mega quiz, we discover that Americans don’t have Christmas crackers, we reveal where Santa comes from, tell terrible jokes, and we discuss taking stock and setting goals for 2023… and much more! Available on all the usual podcast providers or you can watch it on Youtube on the link below for the full Technicolor Christmas experience…
Mark Stay Writes 