Ten Years On: Robot Overlords and Pinewood Pick-Ups

Long time readers of this blog will know that I’ve been looking back at my diaries from ten years ago, during the making of Robot Overlords. Some of the diary entries you’ll see are the ones featured in the back of the film’s novelisation (and if you want a signed and dedicated copy of the paperback, then please step this way and click here). 

After the test screening and the comments about the title Our Robot Overlords, there was a frenzied email debate among the producers about what to call the film. Some of the suggestions were (and these were all real suggestions!)…

Cyber-Lords, Robo Warrior, iDrone, and, my favourite, Alien Scrapers (really!?)

We finally went for…

… drum roll…

… can you bear the tension…?

… ROBOT OVERLORDS.

Phew. That was close.

So after many test screenings, we identified the points in the film that needed pick-ups. Not re-shoots, but little scenes that help glue the film together. Some were very small – a finger tracing a line on a map – others were a little more involved, such as bluescreen shots for the finale, and new scenes to help clarify the story. We had always expected to shoot these and there was enough in the budget for one day at Pinewood.

I also saw this as an opportunity to ask the actors to read an extract from the book on film. The plan was to record them saying individual lines as they moved around the studio. I had originally envisioned maybe doing this with my cheap old camcorder, or even my phone, but an old schoolfriend – Jeremy Mason – who now makes documentaries and has done more reality TV than any one person should endure, came to the rescue and offered to film everything! The clip is below…

Sunday 2nd March – Pinewood

Really tired, but if I don’t write this now…

Friday night was a rehearsal and reunion with Callan, James and Ella (Milo had only one line and it seemed unfair to drag him across town to rehearse that). Jon and I had written two scenes for the following days’ pick-ups and we had a couple of hours booked in the Millennium Hotel in Sloane Street.

Any fears we had that we couldn’t recapture the gang’s camaraderie instantly evaporated. They clicked back together like they’d never been away. 

On Saturday morning I picked up Gillian Redfearn (the book’s editor), and Jennifer McMenemy (Gollancz marketing manager) from Slough Station and we made our way to Pinewood Studios, up Goldfinger Avenue and into stages N&P. Shooting was already underway: the finger on the map.

Not long after, Jeremy and his sound guy Matt Johns turned-up with some serious-looking kit… and to think I was going to do this with my poxy little camera.

I had explained the book reading idea to the kids last night, and that I didn’t want to get under their feet, and that I knew it was a long day etc. Well, once again, I needn’t have worried. We had everything we needed by 2pm. They threw themselves into it and we shot all over Pinewood. Just fantastic. I couldn’t have asked for more. A particular highlight was Milo learning a gory bit for the dinner table, and all the others walking away in disgust.

In the afternoon, Jenn interrogated me for author interviews, and thank God she was there to coach me, otherwise the message from me would have been ‘All teachers are weirdos like Smythe,’ and ‘This book will give you nightmares’.

Jeremy and Matt were just brilliant. Quick to react to an actor’s sudden availability, they were professional, discreet, fleet of foot, and the few clips I saw at the end of the day looked extraordinary.

And then Louise Mason turned up and did the impossible: took some photos of me where I don’t look like a gurning idiot!

Jon and his crew worked tirelessly through the schedule. The scene we wrote at the wall overlooking the school (shot against bluescreen) worked really well.

Then we all decamped to the container park on the edge of the studio. It was dark now. Clear skies and bitterly cold. We arrived just after 8pm and we had to release Ella and Milo at 9.15 (there are strict rules about how long child actors can work for). The crew sprung into action. A crane rose in the distance with a powerful light beaming down on us, a smoke machine added atmosphere and fresh sandwiches, cookies and tea helped keep us warm(ish).

The kids must have been chilled to the bone in their costumes, but there wasn’t a word of complaint, just singing and fart jokes (we could hear all this via our headphones picking up their radio mics).

We got what we needed in time and everyone hurried back to the relative warmth of their cars. I gave Jon a lift to Gerrard’s Cross train station. He was tired but happy with the day’s work. Mission accomplished.

Here are a few pics from the day, all photos © Mason Photography, http://www.mpsv.co.uk

And you can find a full playlist of Robot Overlords videos by clicking here.

Getting a poster signed is harder than you think.

Please note: this competition is now closed!

As part of Gollancz’s wonderful advent calendar giveaway for Christmas 2015, I am delighted to be able to offer a very special prize of a Robot Overlords quad poster signed by myself, director Jon Wright, and some of our lovely cast including Craig Garner (Mediator 452), James Tarpey (Nathan), Ella Hunt (Alex) and Gillian bleedin’ blinkin’ flippin’ Anderson!

Getting these signatures was no easy task. Jon, Ella and I attended the MCM Comic Con in Birmingham in March, and we signed a few for punters then, but they were all gone before I  could grab a spare.

And this was the first I had seen of the posters, which meant that when I was in the company of living legend Sir Ben Kingsley the previous week for his publicity stint, I didn’t have one for him to sign!

I did get manage to get some for EasterCon in April, and clung on to the three I had left over with a cunning plan to get as many of the Robot Overlords stars to sign them over the coming year of cons and festivals.

Next up was the London MCM in May, and this was when I hit Robo-star paydirt. We were interviewing some of the actors for DVD extras, and I was lucky enough to nab Craig and James in between shooting and they were gracious enough to sign my posters. Next up was Gillian Anderson, but her schedule was so incredibly tight that there was no guarantee she would have the time to sign. Indeed, the very second after she arrived, she was swept away for a series of interviews, such is the nature of these high-pressure press days: everything is timed to the minute, and I would have to choose my moment carefully if I was to crash in. Next she had a panel with Jon, where she received fan-love, chocolates, and a proposal from James…

And then after that she was swept away for an interview with James for the DVD. By now, her car had its engine running (she was about to fly off to make something called The X-Files… you may have heard of it), and my window of opportunity was rapidly closing.

Luckily, our publicist Marek came to the rescue and somehow found a gap of 76.5 seconds in the schedule. We threw the posters on the floor, threw a bunch of silver Sharpies at Gillian and while I held the posters flat she kneeled down and scribbled her autograph on them. There was even time for a fanboy pic…

I haven't washed since...
I haven’t washed since…
… and then she was gone!

I carefully rolled the posters into their tube… But I wanted more!!

My other targets were Ella, Callan McAuliffe (Sean) and Milo Parker (Connor). But they were all off making other movies: Callan’s made five films since Robots, Milo was away with Gandalf making Mr. Holmes, and Ella had a big costume drama lined-up… But then it got bumped to next year! Her delay was my good fortune, and she kindly popped into the Gollancz offices where we put the world to rights over tea and brownies, and she signed the posters.

IMG_3813

So there you have it, fair reader. If you are the lucky winner of this poster, please bear in mind all the times I had to lug a poster tube on the underground, all the miles and miles of Sharpie ink, and all the nerves and tension wondering if I would get those rare signatures. Frame it, prostate yourself before it every morning, give it a dust every now and then, and then flog it when you’re old and grey and I’ve won all those Oscars.

Click here to go to the Gollancz blog to enter (UK-only, I’m afraid, but I’m sure you overseas folk have friends in the UK who can enter on your behalf, and if they win they can pop it in the post after they’ve first gazed upon its awesomeness, yes?)

Good luck!