Tag: creative-writing

Creative Differences is One Today

Creative Differences, the monthly podcast where I talk to writers about the little things that make a big difference to their writing process, is a year old today! It’s been such a treat to chat to authors, and to have writers and readers like your good selves joining us on the livestreams and asking such excellent questions of the guests.

If you’ve not dipped in, then there’s never a better time to start. I’ve interviewed bestselling and award-winning authors like Sarah Pinborough, Nadine Matheson, Gareth L Powell, Tracy Buchanan, Rowan Coleman and Nicola May, and debut authors and writers that I just really like. You can find them all on Youtube or on your favourite podcast provider…

LISTEN TO THE PODCASTS

Or you can watch them all on this Youtube playlist…

And there are bite-size clips here…

And if you’re a writer looking for guidance in this crazy world of publishing, then you can join me in the Green Room…

Twice a month, I run live sessions on Zoom where you can ask me questions about the craft of writing, your WIP, or the business of publishing. The sessions are fun and informal and chatty. You can send me questions in advance. They’ll be recorded live and saved on Kofi for exclusive access to Green Room supporters.

I’m running this via Kofi, where you can join by clicking on the Green Room membership tier for £20 a month. There’s no long term commitment. With Kofi, you can support for just a month, or for as long as you like. 

My goal is to be able to give supporters advice that will make a real difference to their writing and career, because the way I see it: having worked in this industry as a salesperson, bookseller and author for over 30 years, I’ve made every mistake, so you don’t have to.

DISCOVER MORE ABOUT THE GREEN ROOM

Thanks again to everyone who has supported the podcast by listening, sharing or leaving a rating/review with their podcast provider. It makes a huge difference!

Nicola Whyte: Planning the Middle

Special guest Nicola Whyte, debut writer of 10 Marchfield Square, reveals how she plans the middle act of her novels to avoid overwriting…

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TRANSCRIPT

MARK: What small thing has made a big difference to your creative process?

NICOLA: I think planning the middle, really. Because I used to plan the end and then, you know, your characters do their decisions, and then it would be like, hey, guess what? This 90,000 word novel is 130,000 words. And now I’m like; if I know the middle, it is much easier to stay on track. I think that’s probably the biggest change for me. I think in terms of, yeah, stopping me from going absolutely bananas. But also like a piece of information like… we talk about the German market: I was in a, a workshop with Imogen Cooper, and she said that if you translate a book into German, it adds almost a third onto the length of the book. When you consider translation costs, and paper costs, and ink costs and all the rest of it, it was like, whoa. Because up to that point I was like, it’s not that big a deal to cut some words, but actually, you realise in terms of making it appealing… So those two things together really focus me on not overwriting, not just enjoying myself forever and meandering off down wherever, and just keep me focused. 

MARK: So yeah, yeah, I see that’s a very good point. The German editions of my books are quite chunky, but I just thought it was because they were a slightly smaller format. But that makes complete sense now. And when you when you talk about planning the middle… because for many people this is one of the most difficult parts, because the opening is all fun and games, the middle act is where you need to escalate and things have lots of consequences and sooner or later you have to tie these things up. How are you planning that middle?

NICOLA: So it’s that big shift. What’s the big change that is going to happen? That gear change. So when I’ve decided like what’s the big turning point, where everything sort of goes up a gear, once I know what that is, then it keeps me on track. And it means that my characters are never… You know, it’s like keeping the target in sight so they can’t veer off too much. You know, if you do what the characters want you to do, you will end up so far away from where you need to be. And editing for word count is probably one of the most painful versions of editing. When you’re trying to shave off 40,000 words and you’re going, ‘I can’t possibly!’ but you have to. Learning the hard way is also a very big motivator.

Gareth L Powell “Like Easing into a Hot Bath”

This month’s special guest Gareth L Powell reveals how starting a novel is a bit like bath time (without the rubber ducks)…

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TRANSCRIPT

MARK: What’s the thing that makes you think you’re ready to start writing on a project?

GARETH: As I was saying earlier, it is… sort of things gradually accrete, and sort of clump together and, it’s kind of… there isn’t a single kind of, oh, let’s go! But I kind of write my way into it. So I’ll start, you know, I’ll write the first line, I’ll write a paragraph and think hmm, okay. And then I’ll go back and I’ll rewrite the outline. The outline is usually about a page, just a very brief kind of high level overview of the plot. And I’ll rewrite that about ten times to fix it. And then I’ll start writing a first chapter, maybe that won’t be going anywhere, so I’ll start again. Or realise I picked the wrong character, and I just kind of write my way into the book so that by the time I’m about 5000 words in, starting to pick up steam, and I think: right. I know where we’re going now. So I might chop out the all the original stuff, but yeah, it’s kind of like easing yourself into a hot bath.

MARK: (Noting a listener comment): Elinor says this is the most British conversation ever. Tea and a hot bath. Yes. Brilliant.

Zoë Richards: An Easy Tip for Writers

Zoë Richards reveals the small thing that makes a big difference to her writing…

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Or watch the whole interview on Youtube..

TRANSCRIPT

Mark: What small thing has made a big difference to your creative process?

Zoë: Just sitting down and writing? The only thing that ever stops me because I find I get more creative the more I write.

Mark: Yeah, yeah.

Zoë: It’s a bizarre thing, isn’t it? So if I sit there and don’t write, the writing doesn’t get done. And the creativity doesn’t happen either.

Mark: You can’t just sit down, not do anything, get up and walk away. It’s just embarrassing for all concerned, even if you’re completely on your own. So yeah, turn up sharp, tap some keys, see what comes out.

Zoë: I couldn’t think of anything to start today, and I actually wrote Need Something about Hunter and his gang days, and perhaps something about when his dad used to beat him up. And that’s all I’ve written into one of the chapters, but it immediately made me go, oh, in that chapter there, I need to do… And I just went off then and couldn’t stop writing.