Join me LIVE tonight 8PM BST with GD Wright, bestselling author of Into the Fire, on the Creative Differences podcast where we discuss the little things that make a big difference to the creative process…
OR ON YOUTUBE…
Join me LIVE tonight 8PM BST with GD Wright, bestselling author of Into the Fire, on the Creative Differences podcast where we discuss the little things that make a big difference to the creative process…
OR ON YOUTUBE…
Special guest Rowan Coleman, bestselling author of Never Tear Us Apart, reveals how a research trip to Malta started with her being ‘a bit grumpy’ but resulted with her making a magical connection with the island…
TRANSCRIPT
MARK: You went to Malta to research this. So what’s your process when you go to a place to research? Do you have like a shopping list of things to do, or do you just step out the hotel and go, right, where do I go now?
ROWAN: I was a bit grumpy about it, actually. Because, believe it or not, because the island itself is… but it’s sort of tied up with my own feelings about my relationship with my father. And so I was like, well, I expect I’m just gonna hate it and it’s going to be rubbish and I won’t like it. But when I turned up, it was the opposite. I did actually feel weirdly, immediately connected to it. And my shopping list is… I don’t really have a specific set of things for this book, because I first visited before I started writing it, really. If I’ve written a book already, like with The Summer of Impossible Things, I knew that I wanted to get to various locations in Brooklyn. But for this book, I was just getting a sense of the island for the first time, and so I just let it lead me. And it’s very small. It’s about the size of the Isle of Wight. And so the first thing that drew me were the ancient temples, and there are many Mesolithic temples on the island that are absolutely magical and fascinating. And that kind of was like my my first step on a very organic journey into putting all the components of the book together.
Or watch it on Youtube…
Special guest Rowan Coleman, bestselling author of Never Tear Us Apart, reveals how forgiveness has become part of her creative process…
TRANSCRIPT
MARK: What small thing has made a big difference to your creative process?
ROWAN: I think the thing that’s made the biggest difference to my creative process is forgiving myself. For not… Sometimes going quite slowly to sometimes just doing small bits at a time. I am a late diagnosed, unmedicated ADHD woman, and I used to think… I was convinced that I had a very strict writing regime and sat at my desk from 9 to 5, and wrote every day, and I didn’t realise that this was, in fact, not true until I took my kids with me to a book event when they were quite young. And I was saying this and I heard this laughter from the back of the hall, I was like, what? Why are you laughing, darling? “You don’t do that. All you do faff around all day on the internet.” (laughs) I thought, that is true. That is all I do. So now I sort of just think, well, if it’s not… if you can’t… you know, sometimes you have to write when you have to write because we all have multiple things that we’re juggling, you know, proper jobs and, teaching courses and all that stuff. And sometimes you just have to go, right. Well, this is my time to write, and I have to write, but if it’s… if I can’t be that disciplined, I just say, all right, well, it’s not happening today, but it will happen tomorrow. And you only write ten words. That’s fine, because that’s ten more words and you’ll add to it tomorrow. And I sort of just let myself off the hook and I don’t let myself feel shame about it anymore, which is a big part of growing up with neurodiversity. Undiagnosed neurodiversity particularly is kind of constantly feeling that you’re not trying hard enough. So I try to tell myself now that I am, in fact, trying hard enough, and it does somehow work out in the end. I don’t know how, but it does.
MARK: Yeah, I think the moral of the story is be kind to yourself and don’t invite your kids to book events.
ROWAN: I mean, I don’t know what’s worse: that one, or when they came when they were a little bit older and were sitting in the front row on Switches.
Or watch it on Youtube…
Bestselling and award-winning author Rowan Coleman joined me to discuss her new book Never Tear Us Apart, revealing how a family photo inspired her to research in Malta, why she wrote her next book, The Good Boy, under a pen name, then there was something about quantum physics, and ultimately she asks the question we all want an answer to in any situation: What would Charlotte Brontë do? This was a really fun chat with tons of great advice for writers.
Or watch it on Youtube…
LINKS
ROWAN’S SUBSTACK ON QUANTUM PHYSICS
There are some fun questions (and answers!) in this Q&A that I did for that most-excellent thriller writer Max Elwood on his blog. To find out what book I think should be adapted as a movie, how I organise my bookshelves, and why I think Amazon is both the best and worst thing to happen to publishing, click on the image below…

Rowan Coleman is the internationally bestselling and award winning author and screenwriter of many novels including THE MEMORY BOOK, THE SUMMER OF IMPOSSIBLE THINGS and THE GIRL AT THE WINDOW.
Her latest novel NEVER TEAR US APART is out now, and under the name Stella Hayward she’ll be publishing THE GOOD BOY in September (about a dog who turns into a man)…
Do please join us live as you’ll have the opportunity to ask Rowan questions on the night (we’ve also written on a number of projects together, and we’ll definitely be chatting about that!). It’s going to be so much fun. Thursday 24th July 8pm BST.
A reminder: the live show is just that, live and raw and things can go wrong including stuff that gets edited out of the final podcast, but… it’s also your opportunity to ask questions of the guests. So if you have a question for Rowan, join us and get involved.
Join us on Youtube…
Special guest Nicola Whyte, debut writer of 10 Marchfield Square, reveals how she plans the middle act of her novels to avoid overwriting…
Or watch it on Youtube…
TRANSCRIPT
MARK: What small thing has made a big difference to your creative process?
NICOLA: I think planning the middle, really. Because I used to plan the end and then, you know, your characters do their decisions, and then it would be like, hey, guess what? This 90,000 word novel is 130,000 words. And now I’m like; if I know the middle, it is much easier to stay on track. I think that’s probably the biggest change for me. I think in terms of, yeah, stopping me from going absolutely bananas. But also like a piece of information like… we talk about the German market: I was in a, a workshop with Imogen Cooper, and she said that if you translate a book into German, it adds almost a third onto the length of the book. When you consider translation costs, and paper costs, and ink costs and all the rest of it, it was like, whoa. Because up to that point I was like, it’s not that big a deal to cut some words, but actually, you realise in terms of making it appealing… So those two things together really focus me on not overwriting, not just enjoying myself forever and meandering off down wherever, and just keep me focused.
MARK: So yeah, yeah, I see that’s a very good point. The German editions of my books are quite chunky, but I just thought it was because they were a slightly smaller format. But that makes complete sense now. And when you when you talk about planning the middle… because for many people this is one of the most difficult parts, because the opening is all fun and games, the middle act is where you need to escalate and things have lots of consequences and sooner or later you have to tie these things up. How are you planning that middle?
NICOLA: So it’s that big shift. What’s the big change that is going to happen? That gear change. So when I’ve decided like what’s the big turning point, where everything sort of goes up a gear, once I know what that is, then it keeps me on track. And it means that my characters are never… You know, it’s like keeping the target in sight so they can’t veer off too much. You know, if you do what the characters want you to do, you will end up so far away from where you need to be. And editing for word count is probably one of the most painful versions of editing. When you’re trying to shave off 40,000 words and you’re going, ‘I can’t possibly!’ but you have to. Learning the hard way is also a very big motivator.
I had a wonderful time chatting to Nicola Whyte the debut writer of 10 Marchfield Square about how she was inspired by the nooks of London and Douglas Adams’s whodunnits. We also discuss planning the middle of a novel, “soft boiled crime”, designing author websites, and we get nostalgic about the Ottakars book chain and much, much more!
Or watch it on Youtube…
LINKS
ALL THE LOST SOULS BY AMIE JORDAN
MASSIVE ATTACK AND TONY COLLIER: LIVE WITH ME
WITH A LITTLE HELP FROM THEIR FRIENDS BY STUART MACONIE
THE BOOKS BESIDE MY BED BY PAUL ARMFIELD
Mark Stay’s Comic Con dates…
PORTSMOUTH – SUNDAY 22ND JUNE
TENTERDEN STEAMPUNK FESTIVAL – SAT 28TH JUNE
BASILDON – SUNDAY 29TH
LFCC FRIDAY 4TH, SAT 5TH, SUN 6TH JULY
MIDLANDS COMIC CON SAT 12TH, SUN 13TH JULY
GUILDFORD SAT 19TH JULY
For more dates in pop over to https://markstaywrites.com/diary-and-appearances/
Join the Green Room: https://ko-fi.com/markstaywriter/tiers
Twice a month, I run online sessions for writers called the Green Room. You can ask me questions about the craft of writing, your WIP, or the business of publishing. The sessions are fun and informal and chatty. You can send me questions in advance. They’re recorded live and saved on Kofi for exclusive access to Green Room supporters. Recent topics for the Q&A sessions include…
‘Show, don’t tell’
Writing for children
Dealing with feedback
Happy endings
Writing historical fiction around real events
And much, much more!
And once a month we have a 200 Word Workshop, where you can send me 200 words from your current project and I give it a critique.
I’m running this via Kofi, where you can join by clicking on the Green Room membership tier for £20 a month.
There’s no long term commitment. With Kofi, you can support for just a month, or for as long as you like.
My goal is to be able to give supporters advice that will make a real difference to their writing and career, because the way I see it: having worked in this industry as a salesperson, bookseller and author for over 30 years, I’ve made every mistake, so you don’t have to.

And here are the international timings…
TIMEZONE INFO
THURSDAY 12th JUNE, 2025, 8PM BST
9PM CEST
12 NOON PDT
1PM MDT
2PM CDT
3PM EDT
FRIDAY 13TH, 5AM AEST
FRIDAY 13TH, 7AM NZST