Ten Years Ago Today: Robot Overlord Rewrites and Panic Attacks…

Here’s an extract from my diary on Monday 8th April, 2013…

Slept badly last night. Panic attacks. It’s only 7 weeks till I leave. It’s becoming a reality now. Jon was looking at locations in Ireland today. Says he’s found a great ravine and a castle.

I got the official go ahead from Piers to work on the tie-in novel of Robots. Started work on the pitch and opening chapters right away.

PS. Jon and I did some good work on the cuts on Saturday. Molinare was empty. We found a quiet nook, ordered some tea and went about cutting thousands of pound from the VFX budget.

Some context: following on from my previous blog where I was asked to write the Robot Overlords novelisation, our producer Piers had to get it signed off by all the other producers. This will become a recurring motif through the making of the film and publication of the book: it could take forever to get a decision because so many people had to sign off on every major choice. It’s not that people were difficult, it’s just that there were so many producers and they’re all busy people.

In order to convince Gollancz that I was up to the job to write the novel, I put together a pitch which included a document outlining the project, a video with pre-viz VFX from the film (still a relatively new and snazzy thing) and about ten thousand words from the opening chapters.

This may have contributed to the late night panic attacks. To be honest, these weren’t anything new. I’d been having them for years, and still get them occasionally (had one just this week!), but I’m sure the big changes just around the corner we’re giving me conniptions. I had arranged to take a six-month sabbatical from work while the film was in production. This would not only allow me the time to write the novel full time, but I could also be more available to the film at its most crucial time.

Molinare is the post production facility just off Carnaby Street and where the film’s editing etc would be finalised. Jon and I were lucky to have it as a place where we could meet and work on tweaks to the script to shave away VFX in order to meet our budget.

Also, as an aside, Margaret Thatcher died on this day. I was never a big fan, but our current leaders make her look almost palatable. Almost…

More diary updates coming soon…

If you’d like to read the Robot Overlords novelisation you can get a signed copy here.
The film is available to download from Apple, Amazon, Sky etc and is currently streaming in Amazon Prime in the UK.

The finished film and the dark arts of post-production

Last night I was invited to a screening room at Molinare, where I was lucky enough to sit with a few of the folks who’ve been working these past few months like hyperactive worker bees on Red Bull as they put the final polish on ROBOT OVERLORDS. The ADR, the sound effects, the sound mixing, the score, the VFX and the grading. All of these dark arts have finally come together to present the finished film. I can’t see into the future, so I don’t know if the movie will be a massive hit, a red-stinger of a bellyflop, or the kind of film that sneaks into cinemas for a fortnight and then disappears forever, only to sporadically reappear on cable TV on Sunday afternoons like some celluloid spectre. But I can tell you that we’ve made the film that we set out to create. A fun adventure for the young at heart. And these final flourishes have elevated it to a whole new level of incredibleness*, making me grin like a loon throughout as I watched. It’s funny, thrilling, moving and a feast for the eyes and ears (see it in a cinema with the best sound system you can find!). I hoped it would be good. I had no idea it could be this good. So many people have worked above and beyond the call of duty to make it happen. It deserves to be seen and enjoyed, and I throw myself prostrate at the mighty gods of cinema in the hope that it will. The very moment that we have any news on a firm release date, I shall shout it from the rooftops. In the meantime, here’s a fuzzy photo of Paddy’s hand on the first day of filming as he prepares to take a pic of the first clapperboard of the shoot (don’t say I never give you exclusives)…

Aaaaaaaaand action!
Aaaaaaaaand action!

*Shakespeare invented words. So can I…