I’ve always had a healthy, working class suspicion of writing retreats: do you really need to go to a nice country house in Dorset to work on your novel…? Really?! Really??! Oh, get over yourself…
But then I stumbled across Le Chant de la Cascade over on Instagram. A retreat run by Marcus Sedgwick, an award-winning children’s author whose books I used to sell when he was published at Orion Children’s and someone whose writing I like very much, and he’s a very decent chap… and as I’ve said before, in these trying times I try to only work with nice people.
I dropped Marcus a line and he explained that the retreat is a small affair, just a handful of writers, and it’s all very relaxed and easygoing. No enforced jolliment or systematic abuse or ritual humiliation (you might think I’m confusing prison with writing retreats, but I have heard horror stories…).
After an incredible drive from Geneva through some truly stunning countryside we arrived in approximately the middle of nowhere, and it’s perfect. The only sound is the gentle hiss of the wind through the trees and the occasional cock-a-doodle-doo from a laid back cockerel.
I’m here to crack a middle grade children’s novel that I’ve been working on. I sent a draft to Karen Ball over at Speckled Pen and she gave me some excellent notes, which I plan to tackle while I’m here. The main note was about the authorial voice of the book. It’s currently in the third person past tense, and she noted that it just sounded too much like me (a bloke in his forties) and not the protagonist (a child), which can really hobble a children’s book. Karen advised that I read Joanna Nadin’s Joe All Alone – an excellent example of a first person present tense children’s novel – to see if it appealed… and it does. My first task today was to experiment with my book and see if that worked for me… and it does. That’s the good news. The bad news is I now have to rewrite the whole book in the first person present tense, which is a bit of an undertaking, but y’know what? What doesn’t kill you only makes you stronger, and that applies to rewrites.
Tonight, Marcus, myself and the other writers here discussed plotting, outlining, story, and we had fun sorting lyrics from ballads and synopses from films into order. This has put us all in an excellent frame of mind for the rest of the week… More tomorrow!
To find out more about the retreat click here.
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