Special guest Rowan Coleman, bestselling author of Never Tear Us Apart, reveals how a research trip to Malta started with her being ‘a bit grumpy’ but resulted with her making a magical connection with the island…
TRANSCRIPT
MARK: You went to Malta to research this. So what’s your process when you go to a place to research? Do you have like a shopping list of things to do, or do you just step out the hotel and go, right, where do I go now?
ROWAN: I was a bit grumpy about it, actually. Because, believe it or not, because the island itself is… but it’s sort of tied up with my own feelings about my relationship with my father. And so I was like, well, I expect I’m just gonna hate it and it’s going to be rubbish and I won’t like it. But when I turned up, it was the opposite. I did actually feel weirdly, immediately connected to it. And my shopping list is… I don’t really have a specific set of things for this book, because I first visited before I started writing it, really. If I’ve written a book already, like with The Summer of Impossible Things, I knew that I wanted to get to various locations in Brooklyn. But for this book, I was just getting a sense of the island for the first time, and so I just let it lead me. And it’s very small. It’s about the size of the Isle of Wight. And so the first thing that drew me were the ancient temples, and there are many Mesolithic temples on the island that are absolutely magical and fascinating. And that kind of was like my my first step on a very organic journey into putting all the components of the book together.
I’ve got a (sort of) short story in this excellent new collection of short stories from the listeners of the Bestseller Experiment podcast (click on the image to get your hands on a copy)…
Why only sort of? Here’s my authors’ note from the collection…
Author’s Note (and excuse)
What you’re about to read is not exactly a short story. I did start one — honest, guv! — and it was a belter, all set in the world of my Witches of Woodville series. It started in the 1920s and ended in the 1970s*… which is where the problems started. As I began jotting down ideas for the story it soon became clear that I wasn’t about to squeeze it all into the allotted five thousand words. No, it soon became clear that this was going to be a whopper, perhaps even a novel all of its own. And things happen in the story that, at first, I thought I didn’t want to rush. Then it occurred to me that the real reason that I didn’t want to rush it was that, actually, I might not be ready to write them yet, as it meant saying a final farewell to certain characters. So I’ve popped that story back into a drawer at the back of my mind and will wait till the time is right to go back and see if I’m ready to finally [REDACTED] to poor old [REDACTED].
And if that wasn’t enough of a tease, then what you’re about to read is the first chapter of a thing that might never happen. It’s a new story, set in the world of the Witches of Woodville, and I’m still wondering where it might go, if anywhere. But I had great fun writing this opening chapter and I think it almost works as its own little standalone moment. So, in the spirit of mischief, I offer you The Canary Girls…
Happy reading, and please send all complaints to Miss Araminta Cranberry at the Woodville Village Library,
Mark Stay
*If you’ve ever wondered why the Woodville Village motto is ‘Witch-free since 1973’ this story was going to reveal all
So there you have it… and don’t forget, the anthology is packed with terrific stories from amazing authors, including (deep breath) W. J. Grupe, Jr, Rosie Stirling, Phil Oddy, Jeevani Charika, Jan Carr, Eva St. John, Dylan Blake, Anne Woodward, Angela C Nurse, Andrea Corzatt, BR Dexter, ZA Gowland, WA Leggatt, Trey Montague, Tommy Wills, Morgan Delaney, Kate Baker, Karen Storey, Julian Barr, Jocelyn Sordoni, GM White, GB Ralph, Gareth Lewis, Emmanuella Dekonor, Andrew Guile, Andrew Chapman, Alex Weight, SC Gowland.
What’s bringing you joy this week? In this clip from the latest episode of the Creative Differences podcast, Gareth L Powell and I reveal what’s bringing us joy, including works by: Elif Shafak, Sutej Singh, Mythic Quest, Barry Sonnenfeld, the Film Stories Podcast and Eva St John…
GARETH: Well, at the moment I’m reading… there’s books on this desk at all times… I’m reading this book, which is The Rivers in the Sky by Elif Shafak. I’m not sure where it’s going, really, or what it’s doing, but it’s just so beautifully written. It’s just relaxing to read. And it’s about four characters at different periods in history, and they’re linked by this drop of water. So it’s like a raindrop that falls on the head of a Sumerian ruler. And then it’s, you know, it’s a tear that comes out to another character in Victorian times and so on. So it’s got that kind of link, but also it’s… they’re all somehow connected to the, Epic of Gilgamesh. So you have this Sumerian ruler who’s trying to get all the different versions together to create the definitive text, but it’s just beautifully written and it’s got some interesting kind of, little throwaway lines that make you think, oh, that’s really good. That’s a really good observation. That’s a really good motto for life.
MARK: Yeah. And is that one of the books that you said earlier that, you know, you might not have come across it had you not worked in a bookshop? Is that an example of one of those?
GARETH: Yeah, that’s one I kept looking at on the shelf. And after reading bits… Yeah, dammit, I’m going to have to read it.
MARK: So what else is giving you joy this month, Gareth?
GARETH: My granddaughter. So who’s she was born in December, so she’s still very small, but very wriggly and very smiley and very giggly. And it was always lovely to see her.
MARK: I’m going to run through the things that are bringing me joy at the moment. I’m going to start with Sutej Singh, who has a new single out, which is called Kaadambari and features Nandini Srikar on vocals… It’s an epic, guitar track. Singh is this incredible virtuoso guitarist, but he’s not someone who just plays a million notes per second. He knows when to leave space and his solos… like those of my favourite guitarists like David Gilmour, Mark Knopfler, they have their own narrative. They’ve got a beginning, a middle and an end. And here’s a lesson for you writers out there; Sutej always wears a long coat and a turban and A guitar. And when he’s in silhouette, you always know it’s him. So I have a think about how your characters might look in silhouette, how they can be more iconic. If you think of characters like Batman, Darth Vader, Sherlock Holmes; once you see the silhouette, you always know who they are. Other things that are bringing me joy: Mythic Quest on Apple TV. We talked about workplace shows earlier with Star Trek. This is a workplace comedy. It’s about the makers of an online roleplaying game called Mythic Quest. You don’t need to know anything about gaming. It’s warm hearted, very, very funny. You got Rob McElhenney in the cast. He’s co-creator But I think the show’s secret weapon is Megan Ganz. She’s a co-creator, but she’s also written for Community, Modern Family, Last Man on Earth, It’s Always Sunny in Philadelphia. She’s a brilliant, brilliant writer, and there’s a recent episode where they did a murder mystery retreat. It was just perfect. And in terms of books, I’m loving Barry Sonnenfeld’s book Best Possible place, Worst Possible Time: True Stories from a Career in Hollywood. Barry’s directed many of my favourite films: the first two Addams Family movies, Men in Black, Get Shorty. He did the TV version of A Series of Unfortunate Events. He was also a cinematographer, working with the Coen brothers on films like Blood Simple, Miller’s Crossing. He also did When Harry Met Sally, he talks about how they did that multiple phone shot in When Harry Met Sally: it took 67 takes. He’s now at the stage in the career where he talks very, very frankly about some of the people he’s worked with. And I first heard him about this book when he was interviewed on the Film Stories podcast. And that’s what this is, a brilliant, brilliant collection of film stories. And finally, I had the great privilege of reading an advance copy of Flint in the Bones, which is a new novel by Eva Saint John. Flint in the Bones is a brilliant blend of crime and history, the past, the present. Brilliant thrills, there’s a loyal dog. Now, if you’ve read Eva Saint John’s Quantum Curator series you’re going to be familiar… She has these page-turning stories that blend history. If you haven’t, you’re in for such a treat. Now she’s just launched, she’s launching a Kickstarter soon. And you can sort of pre… you can sign up for it. So you can find out when it’s going to launch. It’s launching very, very soon. I’m going to put a link in the comments here so you can have a look at it. I’m definitely going to do it. One of the things she’s offering as well is to, have a character named after you. And I did that with The End of Magic. And it was really, really popular. So do check that out.
I’m joined by Mike Shackle, author of the epic LAST WAR fantasy trilogy, and he also writes thrillers under the name Michael Dylan: we talk about the perils of writing epic fantasy when publishers are imposing word limits, the pros and cons of self publishing and traditional publishing, writing cop thriller fiction, setting a mission statement for each book, and Michael creating his own artwork! And we’re also joined by Buddy. Who has a squeaky toy that has an urgent message for the world…
This week’s podcast is a bit different in that we were visited by Catriona Innes, Senior Editor at Cosmopolitan UK. When I was a teen, Cosmo was the mag that you read to learn about sex when you were sure no girls were looking! But it’s evolved into something very different now and it was terrific to hear from Catriona how she’s gone undercover to expose all sorts of shady shenanigans. Cosmo is now doing what 21st century magazines do best with long form articles, thoroughly researched with a sense of perspective and objectivity.
There were also some top tips from Catriona on interview techniques that any writer could use in their work. Check it out here.
I don’t often do book reviews here (never crap on your own lawn, folks), but Grady Hendrix‘s Paperbacks From Hell was such a happy surprise that I can’t resist. I met Grady when he launched the book at the MCM Comic in October and we bonded over happy memories of rabies scares and The Omen novelisation…
Bought from a second-hand bookstore on holiday for 10p… it warped my fragile little mind.
His book is a history of horror fiction in the ’70s and ’80s. It covers pulp paperbacks, the blockbusters, the fads, the won’t-they-think-of-the-children? outrages, the forgotten gems, the best-forgotten misogyny and racism of the times, the cover designers and artists, the die-cut paperback covers, the editors, the imprints and the authors – many of whom are now only remembered by aficionados.
If you’re a writer, or you work in publishing, and you want a primer on how trends wax and wane, how brands come and go, how one-hit wonders can change an industry, then this book is essential reading. Whatever genre you write in or enjoy reading, you can learn a lot from Hendrix’s astute observations on the publishing industry’s ability to squeeze the lemon till it’s dry, and then to toss it away for the next juicy fruit that comes along. In these pages you’ll see writers’ careers soar, then nosedive, taking all the copycat pretenders with them. You’ll see how politics, social change, and a bust and boom economy can affect the public’s reading tastes (think of how the fear of foreign animals coincided with the UK joining the Common Market… time for a resurrection of the rabid dog genre, perhaps?).
It’s relentlessly entertaining, very funny, and Grady’s love for the genre in all its forms is soaked into every page. One word of warning: having read this, you’ll be hightailing it to eBay to buy at least a dozen books just to see if they’re as good/bad/terrible/gruesome as Grady says they are. I shall be seeking out Let’s Go Play At The Adams’s, Michael McDowell’s Blackwater series, and reacquainting myself with a delightful young man called Damien Thorn. Happy reading.
Mark Stay Writes 