A reading from The Corn Bride

I was delighted to read the opening chapter of The Corn Bride on the British Fantasy Society’s Youtube page…

The Corn Bride is available in paperback, eBook and audiobook from all book retailers and you can get signed copies from me here.

A Tip for Finishing First Drafts from Nadine Matheson

This month’s special guest Nadine Matheson shares a great tip for finishing first drafts…

Or watch it on Youtube…

TRANSCRIPT

MARK: What small thing has made a big difference to your creative process?

NADINE:  What I do now… Before I just used to write my first draft — and it sounds like a big thing, but it’s not, it’s a small thing — I write the first draft, and then after that, then do the rewrite, brief re-structure, whatever. That’s the second draft. But now I don’t. I write up to act two, and then once I finish act two in the first draft, that’s when I start doing the rewrite. Because now I’m doing the rewrite, I have a clearer idea of how… I’ve fixed everything now, so I know exactly how that last third is going to finish. And I started doing that. I think with… I think I did it with The Kill List, and I think it was just a timing issue I had. Like, a personal time finishing, I thought, I’m not going to get this done if I wait to finish it. I thought, let me just start rewriting it now. When I did that, I thought, this is a better way for me to work. So that’s what I do now.

MARK: And when you get to that two thirds point, you just plough on and get straight through to the end.

NADINE: Yeah, because I’m not thinking… When I’m writing that first draft, I’m already thinking, well, I already know I need to change this now. I need to change this character, put it in a different location, or I’m just going to get rid of that subplot. I just know these things aren’t going to work. And by the time I’ve done the second draft, I’ve already done that. And then I said, that last third is… I can’t say seamless, but it’s a lot smoother. I’m not fixing things.

MARK: Yeah, it’s so weird because I’ve just done that myself actually. You know, I’m talking about trilogies being hard. I got about I was 80,000 words on this, and the ending is there, and I’m kind of thinking, hmmm… And then I’m writing, I thought, ‘Oh, that’s what this is about!’ So I’ve realised, actually, what it’s about. So I’ve had to go back and sort of, you know, make changes. And now the ending just feels so much… Not, like you say, not easier, but I know where I’m going now. I know I’m going to do it. Yeah. 

NADINE: You have a much clearer… There’s no debris in your path. That’s the best way.

MARK: Yeah, yeah, yeah, yeah, yeah. It’s a lot less cluttered, isn’t it? 

NADINE: Yeah, definitely.

Nadine Matheson on the Creative Differences Podcast

Nadine Matheson is the bestselling author of the DI Henley crime thrillers and presenter of the Conversation Podcast.

We Discuss:

Writing as a planner
Nadine’s great tip for finishing first drafts
Why not reading the small print was great for her career
We have a fun rant about META and book piracy
And much more!

LINKS

NADINE’S WEBSITE
THE KILL LIST
THE CONVERSATION WITH NADINE MATHESON PODCAST
NADINE’S HURRICANE BERYL VIDEO
NADINE’S INSTAGRAM (for sunrises!)

THE ATLANTIC ARTICLE ON META & BOOK PIRACY

THE APPLE NEWS EDITION OF THE SAME STORY

THE GREEN ROOM

INDIANA JONES AND THE GREAT CIRCLE
TOP CHEF
HOMICIDE: LIFE ON THE STREET
THE STUDIO
CLASSIC FM MOVIES

COME AND MEET MARK STAY IN APRIL 2025 AT:
MAIDENHEAD
LUTON
FORT AMHERST
BANBURY
SOUTHAMPTON
BEYOND THE BOOK FESTIVAL, BRIGHTON

This Writer’s Favourite Podcasts

Here are my favourite podcasts that inspire me as a writer…

LINKS

FILM STORIES WITH SIMON BREW: https://filmstories.co.uk/podcast-page/episodes/ 

SCRIPTNOTES – John August, Craig Mazin: https://johnaugust.com/scriptnotes 

THE CONVERSATION WITH NADINE MATHESON: https://www.nadinematheson.com/events/23/the-conversation-with-nadine-matheson-podcast/ 

YOU’RE WRONG ABOUT – Sarah Marshall https://yourewrongabout.com/ 

SMERSH POD – John Rain https://shows.acast.com/smershpod 

AUTHORIZED – Andrew Overbye and Hannah Blechman https://open.spotify.com/show/68YhhFLKW5m6ibJJDZ147M?si=4f46a841a4d74390 

COMFORT BLANKET (SEE ALSO BE FUNNY OR DIE) – Joel Morris https://shows.acast.com/comfort-blanket 

ROCKONTEURS – Gary Kemp and Guy Pratt https://www.anotherslice.com/rockonteurs

SCARRED FOR LIFE – Stephen Brotherstone and Dave Lawrence with presenter Andy Bush https://scarredforlifebooks.com/#podcast 

FIFTY YEARS OF SHIT ROBOTS: Matt brown and Stephen Murray https://shows.acast.com/fifty-years-of-shit-robots

BESTSELLER EXPERIMENT https://bestsellerexperiment.com/podcasts/podcast-episodes/ 

MARK STAY’S CREATIVE DIFFERENCES https://markstaycreativedifferences.com/ 

Join me and Nadine Matheson on tonight’s Creative Differences Livestream

Join me live with bestselling crime author Nadine Matheson! 

THURSDAY 27TH MARCH, 8PM GMT.

Nadine’s debut crime fiction novel, The Jigsaw Man, was won by HQ (HarperCollins) in a six-publisher auction. The best-selling ‘The Jigsaw Man’ was published in 2021, has been translated into fifteen languages and has been optioned for television. Nadine is also the presenter of The Conversation podcast, which for my money is one of the best British podcasts for author interviews. Nadine is a brilliant writer and really insightful on the craft and business of writing. You are not going to want to miss this one! Join us live and be part of the podcast.

Or on Youtube…

A Corn Bride Thank You

Thanks to all those readers who helped make the publication day of The Corn Bride so amazing!🌽👰 And would you be up for a spoiler livestream? Let me know below in the comments…

Editing Tips with Gareth L Powell

This month’s special guest Gareth L Powell reveals how he revises his manuscript as he writes, leading to a stronger first draft…

Or watch it on Youtube…

TRANSCRIPT

MARK: Question from Gavin here. Does rereading yesterday’s chapter and editing as you go slow down the drafting too? Or are the time savings on future drafts worth the effort on earlier drafts? That’s a great question there Gavin. So you’re spending that time, sort of, re-read… build up momentum up. Does that mean when you sort of break through the wall of yesterday’s work and you’re writing fresh words today, you’re moving faster and with more clarity than you would otherwise? 

GARETH: I think so, yeah, definitely. And I also try never to end a day’s work at the end of a chapter, because if you end up at the end of a chapter, then the next day you wake up to a blank white page again and I’ll have to get started. And it’s, you know, there’s enough white space to make Ranulph Fiennes nervous and… So it’s going back and sort of editing the the previous chapter gives you like a run up. And it definitely, definitely does save time doing future drafts. Because you’ve already picked up a lot of, you know, a lot of problems, a lot of typos and stuff, you will still have to go back and change, but you’ve done some of it.

Gareth L Powell on the Biggest Mistake of his Career

This month’s special guest Gareth L Powell reveals the biggest mistake of his writing career, but how this particular disaster was a blessing in disguise…

Or watch it on Youtube…

TRANSCRIPT

MARK: What’s the biggest mistake you’ve ever made in your writing career?

GARETH: Oh, Lord. The worst thing — I don’t know if it’s a mistake, It could have been an Act of God — But was when the first half of the first draft of Descendant Machine vanished.

MARK: Oh, God, I remember this.Yeah, yeah, yeah.

GARETH: I’d been working on it for three months, I think. And then one day, it just wasn’t on my computer. It wasn’t in the recycle bin. It wasn’t, you know, anywhere. I used various kind of, programs to claw through the hard drive to try and find it. And… nothing. It just completely vanished. So if unless I just did something ridiculously stupid in my sleep or, you know… I don’t know what, I’ve no idea what happened to it. But this entire three months work just absolutely vanished. That was a big setback because, you know, that was when I, you know, you go in that feeling where you just go cold.

MARK: Yeah.

GARETH: You know in the, sort of Agatha Christie films from the 70s when there’s, like, a pistol blast or a scream, and then you’d get a shot of a load of crows flapping up from a tree. It’s kind of like that. I just uttered a curse. Venomous. It turned the air to glass and… And I lay on the sofa and thought, I’m never gonna write again. It’s all over. 

MARK: And I remember talking to this, about this at the time, and it was just one of those complete mysteries. It wasn’t like you weren’t backing stuff up. It just absolutely vanished. Is it… because this happened to a friend of mine the other day, and I said, Oh, this happens to all sorts of writers, but every one of them tells me that when they go back and rewrite it, it’s so much better. Would you say that’s true, or am I just trying to make my friend feel good?

GARETH: No, that’s true, but the book I wrote was, substantially different from the first draft I had done, and much better for. So it was a blessing in a very, very heavy disguise.

What’s Bringing You Joy This Week? With Gareth L Powell…

What’s bringing you joy this week? In this clip from the latest episode of the Creative Differences podcast, Gareth L Powell and I reveal what’s bringing us joy, including works by: Elif Shafak, Sutej Singh, Mythic Quest, Barry Sonnenfeld, the Film Stories Podcast and Eva St John…

LINKS

THERE ARE RIVERS IN THE SKY BY ELIF SHAFAK
SUTEJ SINGH, NANDINI SRIKAR: KAADAMBARI
MYTHIC QUEST
BEST POSSIBLE PLACE, WORST POSSIBLE TIME BY BARRY SONNENFELD
FILM STORIES PODCAST
FLINT IN THE BONES KICKSTARTER

TRANSCRIPT

MARK: What’s giving you joy this month?

GARETH: Well, at the moment I’m reading… there’s books on this desk at all times… I’m reading this book, which is The Rivers in the Sky by Elif Shafak. I’m not sure where it’s going, really, or what it’s doing, but it’s just so beautifully written. It’s just relaxing to read. And it’s about four characters at different periods in history, and they’re linked by this drop of water. So it’s like a raindrop that falls on the head of a Sumerian ruler. And then it’s, you know, it’s a tear that comes out to another character in Victorian times and so on. So it’s got that kind of link, but also it’s… they’re all somehow connected to the, Epic of Gilgamesh. So you have this Sumerian ruler who’s trying to get all the different versions together to create the definitive text, but it’s just beautifully written and it’s got some interesting kind of, little throwaway lines that make you think, oh, that’s really good. That’s a really good observation. That’s a really good motto for life.

MARK: Yeah. And is that one of the books that you said earlier that, you know, you might not have come across it had you not worked in a bookshop? Is that an example of one of those?

GARETH: Yeah, that’s one I kept looking at on the shelf. And after reading bits… Yeah, dammit, I’m going to have to read it.

MARK: So what else is giving you joy this month, Gareth?

GARETH: My granddaughter. So who’s she was born in December, so she’s still very small, but very wriggly and very smiley and very giggly. And it was always lovely to see her.

MARK: I’m going to run through the things that are bringing me joy at the moment. I’m going to start with Sutej Singh, who has a new single out, which is called Kaadambari and features Nandini Srikar on vocals… It’s an epic, guitar track. Singh is this incredible virtuoso guitarist, but he’s not someone who just plays a million notes per second. He knows when to leave space and his solos… like those of my favourite guitarists like David Gilmour, Mark Knopfler, they have their own narrative. They’ve got a beginning, a middle and an end. And here’s a lesson for you writers out there; Sutej always wears a long coat and a turban and A guitar. And when he’s in silhouette, you always know it’s him. So I have a think about how your characters might look in silhouette, how they can be more iconic. If you think of characters like Batman, Darth Vader, Sherlock Holmes; once you see the silhouette, you always know who they are. Other things that are bringing me joy: Mythic Quest on Apple TV. We talked about workplace shows earlier with Star Trek. This is a workplace comedy. It’s about the makers of an online roleplaying game called Mythic Quest. You don’t need to know anything about gaming. It’s warm hearted, very, very funny. You got Rob McElhenney in the cast. He’s co-creator But I think the show’s secret weapon is Megan Ganz. She’s a co-creator, but she’s also written for Community, Modern Family, Last Man on Earth, It’s Always Sunny in Philadelphia. She’s a brilliant, brilliant writer, and there’s a recent episode where they did a murder mystery retreat. It was just perfect. And in terms of books, I’m loving Barry Sonnenfeld’s book Best Possible place, Worst Possible Time: True Stories from a Career in Hollywood. Barry’s directed many of my favourite films: the first two Addams Family movies, Men in Black, Get Shorty. He did the TV version of A Series of Unfortunate Events. He was also a cinematographer, working with the Coen brothers on films like Blood Simple, Miller’s Crossing. He also did When Harry Met Sally, he talks about how they did that multiple phone shot in When Harry Met Sally: it took 67 takes. He’s now at the stage in the career where he talks very, very frankly about some of the people he’s worked with. And I first heard him about this book when he was interviewed on the Film Stories podcast. And that’s what this is, a brilliant, brilliant collection of film stories. And finally, I had the great privilege of reading an advance copy of Flint in the Bones, which is a new novel by Eva Saint John. Flint in the Bones is a brilliant blend of crime and history, the past, the present. Brilliant thrills, there’s a loyal dog. Now, if you’ve read Eva Saint John’s Quantum Curator series you’re going to be familiar… She has these page-turning stories that blend history. If you haven’t, you’re in for such a treat. Now she’s just launched, she’s launching a Kickstarter soon. And you can sort of pre… you can sign up for it. So you can find out when it’s going to launch. It’s launching very, very soon. I’m going to put a link in the comments here so you can have a look at it. I’m definitely going to do it. One of the things she’s offering as well is to, have a character named after you. And I did that with The End of Magic. And it was really, really popular. So do check that out.

Keeping Notes of Late Night Ideas… with Gareth L Powell

This month’s special guest Gareth L Powell reveals how he keeps track of story ideas when they come late at night… and then we’re interrupted by a digital overlord.

Or watch it on Youtube…

TRANSCRIPT

MARK: How do you remember that idea that you have it, say three in the morning?

GARETH: I always have my phone next to the bed. And I can say, “Hey, Siri,” take a note, and just dictate it to the phone.

SIRI: (Interrupting) And then what do you want it to say?

(LAUGHTER)

MARK: I was waiting for that!

SIRI: I created you a note. It’s called BRA.

MARK: Oh. That’s priceless. Thanks for that, Gareth.

GARETH: I thought, my phone is off. I’ll be safe saying this, and I forgot it’s on the damn computer as well… I will go through that process — that I just demonstrated — and then in the morning, because it’s synched up with my desktop, the I just open my notes file and the notes are there waiting for me.

MARK: A comment from Usman here: “22:32. Siri gained sentence.” It’s the end times, people. Oh, fantastic.