Tag: books

What’s Bringing You Joy This Week? With Gareth L Powell…

What’s bringing you joy this week? In this clip from the latest episode of the Creative Differences podcast, Gareth L Powell and I reveal what’s bringing us joy, including works by: Elif Shafak, Sutej Singh, Mythic Quest, Barry Sonnenfeld, the Film Stories Podcast and Eva St John…

LINKS

THERE ARE RIVERS IN THE SKY BY ELIF SHAFAK
SUTEJ SINGH, NANDINI SRIKAR: KAADAMBARI
MYTHIC QUEST
BEST POSSIBLE PLACE, WORST POSSIBLE TIME BY BARRY SONNENFELD
FILM STORIES PODCAST
FLINT IN THE BONES KICKSTARTER

TRANSCRIPT

MARK: What’s giving you joy this month?

GARETH: Well, at the moment I’m reading… there’s books on this desk at all times… I’m reading this book, which is The Rivers in the Sky by Elif Shafak. I’m not sure where it’s going, really, or what it’s doing, but it’s just so beautifully written. It’s just relaxing to read. And it’s about four characters at different periods in history, and they’re linked by this drop of water. So it’s like a raindrop that falls on the head of a Sumerian ruler. And then it’s, you know, it’s a tear that comes out to another character in Victorian times and so on. So it’s got that kind of link, but also it’s… they’re all somehow connected to the, Epic of Gilgamesh. So you have this Sumerian ruler who’s trying to get all the different versions together to create the definitive text, but it’s just beautifully written and it’s got some interesting kind of, little throwaway lines that make you think, oh, that’s really good. That’s a really good observation. That’s a really good motto for life.

MARK: Yeah. And is that one of the books that you said earlier that, you know, you might not have come across it had you not worked in a bookshop? Is that an example of one of those?

GARETH: Yeah, that’s one I kept looking at on the shelf. And after reading bits… Yeah, dammit, I’m going to have to read it.

MARK: So what else is giving you joy this month, Gareth?

GARETH: My granddaughter. So who’s she was born in December, so she’s still very small, but very wriggly and very smiley and very giggly. And it was always lovely to see her.

MARK: I’m going to run through the things that are bringing me joy at the moment. I’m going to start with Sutej Singh, who has a new single out, which is called Kaadambari and features Nandini Srikar on vocals… It’s an epic, guitar track. Singh is this incredible virtuoso guitarist, but he’s not someone who just plays a million notes per second. He knows when to leave space and his solos… like those of my favourite guitarists like David Gilmour, Mark Knopfler, they have their own narrative. They’ve got a beginning, a middle and an end. And here’s a lesson for you writers out there; Sutej always wears a long coat and a turban and A guitar. And when he’s in silhouette, you always know it’s him. So I have a think about how your characters might look in silhouette, how they can be more iconic. If you think of characters like Batman, Darth Vader, Sherlock Holmes; once you see the silhouette, you always know who they are. Other things that are bringing me joy: Mythic Quest on Apple TV. We talked about workplace shows earlier with Star Trek. This is a workplace comedy. It’s about the makers of an online roleplaying game called Mythic Quest. You don’t need to know anything about gaming. It’s warm hearted, very, very funny. You got Rob McElhenney in the cast. He’s co-creator But I think the show’s secret weapon is Megan Ganz. She’s a co-creator, but she’s also written for Community, Modern Family, Last Man on Earth, It’s Always Sunny in Philadelphia. She’s a brilliant, brilliant writer, and there’s a recent episode where they did a murder mystery retreat. It was just perfect. And in terms of books, I’m loving Barry Sonnenfeld’s book Best Possible place, Worst Possible Time: True Stories from a Career in Hollywood. Barry’s directed many of my favourite films: the first two Addams Family movies, Men in Black, Get Shorty. He did the TV version of A Series of Unfortunate Events. He was also a cinematographer, working with the Coen brothers on films like Blood Simple, Miller’s Crossing. He also did When Harry Met Sally, he talks about how they did that multiple phone shot in When Harry Met Sally: it took 67 takes. He’s now at the stage in the career where he talks very, very frankly about some of the people he’s worked with. And I first heard him about this book when he was interviewed on the Film Stories podcast. And that’s what this is, a brilliant, brilliant collection of film stories. And finally, I had the great privilege of reading an advance copy of Flint in the Bones, which is a new novel by Eva Saint John. Flint in the Bones is a brilliant blend of crime and history, the past, the present. Brilliant thrills, there’s a loyal dog. Now, if you’ve read Eva Saint John’s Quantum Curator series you’re going to be familiar… She has these page-turning stories that blend history. If you haven’t, you’re in for such a treat. Now she’s just launched, she’s launching a Kickstarter soon. And you can sort of pre… you can sign up for it. So you can find out when it’s going to launch. It’s launching very, very soon. I’m going to put a link in the comments here so you can have a look at it. I’m definitely going to do it. One of the things she’s offering as well is to, have a character named after you. And I did that with The End of Magic. And it was really, really popular. So do check that out.

Keeping Notes of Late Night Ideas… with Gareth L Powell

This month’s special guest Gareth L Powell reveals how he keeps track of story ideas when they come late at night… and then we’re interrupted by a digital overlord.

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TRANSCRIPT

MARK: How do you remember that idea that you have it, say three in the morning?

GARETH: I always have my phone next to the bed. And I can say, “Hey, Siri,” take a note, and just dictate it to the phone.

SIRI: (Interrupting) And then what do you want it to say?

(LAUGHTER)

MARK: I was waiting for that!

SIRI: I created you a note. It’s called BRA.

MARK: Oh. That’s priceless. Thanks for that, Gareth.

GARETH: I thought, my phone is off. I’ll be safe saying this, and I forgot it’s on the damn computer as well… I will go through that process — that I just demonstrated — and then in the morning, because it’s synched up with my desktop, the I just open my notes file and the notes are there waiting for me.

MARK: A comment from Usman here: “22:32. Siri gained sentence.” It’s the end times, people. Oh, fantastic.

Gareth L Powell “Like Easing into a Hot Bath”

This month’s special guest Gareth L Powell reveals how starting a novel is a bit like bath time (without the rubber ducks)…

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TRANSCRIPT

MARK: What’s the thing that makes you think you’re ready to start writing on a project?

GARETH: As I was saying earlier, it is… sort of things gradually accrete, and sort of clump together and, it’s kind of… there isn’t a single kind of, oh, let’s go! But I kind of write my way into it. So I’ll start, you know, I’ll write the first line, I’ll write a paragraph and think hmm, okay. And then I’ll go back and I’ll rewrite the outline. The outline is usually about a page, just a very brief kind of high level overview of the plot. And I’ll rewrite that about ten times to fix it. And then I’ll start writing a first chapter, maybe that won’t be going anywhere, so I’ll start again. Or realise I picked the wrong character, and I just kind of write my way into the book so that by the time I’m about 5000 words in, starting to pick up steam, and I think: right. I know where we’re going now. So I might chop out the all the original stuff, but yeah, it’s kind of like easing yourself into a hot bath.

MARK: (Noting a listener comment): Elinor says this is the most British conversation ever. Tea and a hot bath. Yes. Brilliant.

Gareth L Powell “My Coping Mechanism.”

This month’s special guest Gareth L Powell reveals the importance of tea in his creative process (this may be the most British conversation ever)…

What’s your favourite tipple while writing?

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TRANSCRIPT

MARK :What small thing has made a big difference to your creative process?

GARETH: (thinks) Tea…

MARK: Do you have a particular brand? Because I’ve seen your pictures on social media. You’ve got that wonderful little cast iron kettle, haven’t you?

GARETH: It was my lockdown coping mechanism. I got really into tea. Loose leaf teas and different types of teas and, so now it’s like… no tea bags. It’s proper bags of loose leaf teas. I’ve got a… I made an app for my phone, which is a picture of a teapot it, and I press it and it ultimately times five minutes, which is just right for the tea to stew.

MARK: Properly brewed. Fantastic. And do you have a favourite brand of tea What should we be looking out for?


GARETH: I’m kind of in between favourite brands at the moment. I was very fond of Whittard’s English Breakfast Loose Leaf. I’m kind of looking around for a slightly less expensive version, but I’ve tried lots of different ones. So at the moment I’m on the, Sainsbury’s Red Label, which is quite good.

MARK: You’ve got me some Yorkshire gold for Christmas, didn’t you, Emily? That is first class stuff. That is really good.

Gareth L Powell on Creative Differences

Episode 7 with Gareth L Powell: “Future’s Edge”

Join Me and Gareth L Powell Live on Creative Differences

Join me and Gareth L Powell for the next Creative Differences livestream on Tuesday 25th Feb, 8pm GMT.

Gareth L. Powell is an award-winning British author of science fiction and horror. He has written over twenty published books and has twice won the British Science Fiction Association Award for Best Novel. He’s also Managing Editor of Stars and Sabers Publishing, which has a brilliant new anthology out now!
If you follow Gareth on social media you’ll know he’s incredibly generous with his writing advice and now you can join us live on the livestream to ask him that burning question you’ve always wanted an answer to!

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Are you Worried about how to Finish your Novel? Here’s a Tip…

This month’s special guest Nicola May has wise words for anyone worried about finishing their novel…

TRANSCRIPT

MARK: How do you know when you’re done?

NICOLA: Again, as a writer, do we ever know we’re done? It does annoy me, and I’m going to say this out loud: writers who procrastinate for bloody years over their manuscript, though. I do think get it down, get it to an editor, because what’s the point? Six years, going over this thing. What?  It might not even be good enough. So that’s another bit of my advice. But, once I get to about 70,000 words — because my books are 75 to 80,000 words — I’m so happy to get to the end, thay I think, ‘Right, that should do. For now. The editor can look, then come back.’

MARK: And what do you do once you’ve finished that first draft? Do you sort of step away from it for a particular period of time, or are you straight back into editing mode?

NICOLA: Straight back into editing. To be honest, I’m a bit of a One-trick-Tina. My first draft is actually usually pretty good,

MARK: Right

NICOLA: Yeah.

MARK: Nice.

NICOLA: Don’t get me wrong. No, there’s been quite a few edits for ‘How Do I Tell You? — which I’ll hold up here. Here it is — That have made it much better by the editing team. So I’m not like, oh my God, there’s no edits at all. Of course there are.

MARK: Yeah.

NICOLA: It hasn’t had to be pulled apart. 

MARK: So yeah. So a good sense of structure essentially is (important).

NICOLA: Yeah, I think so.

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Time-Saving Tip for Naming your Characters

This month’s special guest Nicola May reveals a tip for naming your characters that will save you time in the long run…

TRANSCRIPT

MARK: So, let’s start with what small thing has made a big difference to your creative process?

NICOLA: I mean, again, I found this quite hard, but what I do do is… all my heroines have very short names; four letters or three letters. Ruby, Avy, Rosa. Victoria’s Vic. Because if you think how many times you type that in a manuscript, it saves you so much time. I mean, if you have something like Everard or, I don’t know, Christopher, you don’t want to be writing that… all those times. Although it’s good for word count.

MARK: I’m writing something at moment that has a character called Michael, and I’m four chapters in and already I’m thinking, I just want to call him Mike.

NICOLA: Yeah. You know, and I bet you you’ll have to go back because you will have so many wrong spellings of that as well.

MARK: Exactly. Yeah.

NICOLA: But it’s a little point, but it’s a good point. And also don’t choose a name that people can’t understand like Niamh, or things like that because there is nothing worse… As a reader, I hate it when I don’t know how to say the name. 

MARK: You have to go to one of those those YouTube channels where they tell you how to pronounce it. Yeah, yeah,

NICOLA: Because I’ve got I’ve got a Joti in my book, would you say Joti or Jotti? And my audiobook narrator… I didn’t think actually to brief her on that.

MARK: I was going to mention this later. I went to the audiobook recording for The Corn Bride yesterday. And once I was in the room with them, they had a list. You know, it’s how you pronounce that? How are you pronouncing that? I. And I was like… (makes a non-commital noise). I don’t have strong opinions either way.

NICOLA: I never want to meet my narrator, because I’ve got one character who has an accent of someone who’s traveled many places abroad. So you don’t know where she’s from. And I put that on the brief. I’m like, oh my God, the poor woman.

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I’ve Been a Published Author for Ten Years

Crikey!

Buy a signed copy here
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TRANSCRIPT

10 years ago today this baby was published, meaning I’ve been a published author for 10 years which is a bit of a pinch me moment… Yeah, amazing. I want to thank Jon Wright who asked me to co-write the film, but for the book I really want to thank Gillian Redfearn the editor at Gollancz who held my hand through the whole publishing process and editorial process, Lisa Rogers the amazing copy editor who I still beg to be my copy editor today because she’s just the best in the business, and also Genn McMenemy in marketing who uh still has lots of embarrassing outtakes of me floundering and trying to sell the book on on camera, and everyone who read it and said nice things about it. Thank you, everyone. Like I say I am really proud of it. The Authorized Podcast did a 10th anniversary special where they talked about the book and then I talk about how it was made and everything in a lot more detail… But there are things in here, you know, there’s uh there’s the short story in the back, The Mediator Prototype, I also have my shoot diaries about the making of the film and also put the name of every member of the cast and crew in the hope that they would all buy a copy which I’m sure they did. 10 years today, still in print, which probably says something… I don’t know what, but if you want a signed copy you can get one from my store, if not I think it’s ridiculously cheap on eBook as well the audiobook… Rupert Degas reads the audio! Terrific. Anyway 10 years. Wow. Gotta get a cup of tea.

Should Authors be on a Salary?

Should authors be on a salary?

TRANSCRIPT:

I was thinking about Chappel Roan at the Grammies asking the record companies to pay their musicians a living wage and it got me thinking… if a publisher — one of the big five, say — started offering authors a monthly salary instead of an advance, would you take it?

A monthly salary, with a pension plan, health care (very important for our US cousins) paid holidays, maybe even expenses?

You could be on a fixed contract: 3 years or 5, but you have to deliver a book a year. Oh, and you have to write what the publisher wants (which, arguably, is happening more and more in traditional publishing), and you don’t retain copyright or get any royalties (which is kind of what happens in TV). Maybe you get a bonus for hitting sales targets? Would you do it?

Is anyone doing it already? I doubt it as the current system is very much weighed in the favour of the publishers… but if you’re an author, would you be tempted by a monthly salary with all the benefits and strings attached?