Ivy Ngeow is a powerhouse of creativity. A musician, a novelist and writer of cookery books, diet books, interior design, she’s done it. Her new novel is The American Boyfriend and she talks about how she studied bestsellers before writing it to better understand what makes a smash hit and it’s paid off as she now has an international hit and is signing books at places like Singapore airport!
This week we celebrate seven years of the Bestseller Experiment podcast and I can’t think of a better way to mark the occasion than with Heather Morris, bestselling author of The Tattooist of Auschwitz and more who returns with a new novel, Sisters Under the Rising Sun, whichtransports the reader to the women in Japanese POW camps in WWII and is another incredibly powerful story.
Heather’s writing and her attitude to life and her work embodies everything we love about writers and it was such a privilege to speak with her.
And if that wasn’t enough, as a special little treat this episode includes the extended version of the podcast for free (normally reserved for podcast supporters and folk int he Bestseller Academy) and this week includes me giving tips for writing emotions and getting an emotional response from readers…
There’s a lovely bit in this week’s Bestseller Experiment podcast with novelist Julie Owen Moylan where she talks about writers wanting approval, ‘We want to get our homework marked.’ And it’s true, we set out as writers with dreams of our work getting great reviews and being loved by all… But one of the lessons you learn as soon as people start reading your stuff is that you can’t please everyone. It’s a fool’s errand and you’re much better off writing to please yourself first. And that can start by leaning into what Julie calls her ‘tiny, weird obsessions’. These are the things that you think no one will get. The thoughts, jokes and peculiarities that you think are completely unique to you. And they probably are, but that doesn’t mean others won’t understand. Because all those strange little idiosyncrasies are your voice. That’s what makes you unique and will make you writing unlike any other. Some people won’t get it, but those who do will absolutely love it. Be true to yourself. Be weird.
Great to get Gareth back on the podcast as so much has happened since we last had him on, but the thing I admire about him the most is his ability to stay positive in the social media sewer! He talks about that and more — including working with Peter F Hamilton, how starting a commercial thriller led him to writing his most personal book and how he wrote a book on writing almost by accident.
There’s also a fun coda to the episode as I read an extract from SC Gowland’s new book Delusions and Dragons in which there’s a cameo from two familiar shopkeepers called Mark. That delight comes at the 1:06:59 point here…
We regularly hear from people on the podcast who struggle to find time to write. I think this is because writing is romanticised as this thing where you shut yourself away from the world for an intense period of time, then emerge blinking into the sunlight with a perfectly formed novel.
Jesse Sutanto revealed her secret in this week’s Bestseller Experiment podcast: pure writing. That is, four 15-minute sessions dotted through the day where she doesn’t even stop to take a sip of water. Working this way she manages to finish a draft of a novel in two months. So if you’ve been struggling to make time then maybe give it a go… Even just one fifteen minute session a day could make all the difference.
The episode is a corker and Jesse is a delight. We also discuss writing about specifics that become universal, Terry Pratchett and Oprah Winfrey and much more. And in the extended edition for our Patreon supporters and Academy members I dig into world building. Bring your shovel and support the podcast here.
Suzie Edge has been a listener and supporter of the Bestseller Experiment podcast for many years, so it’s been such a joy seeing her rise to fame as an amazing TikTok star and a bestselling author. Her new book is Vital Organs, which delves (if that’s the right word) into history’s most extraordinary body parts. Suzie is great fun as always and regales us with some very icky historical stories and lets us know what it was like to release Mortal Monarchs, a book about dead royals, when real royals were actually dying!
And in the extended version for Academy members and podcast Patrons, Suzie answers listener questions on creating TikTok content that increases her following, balancing writing and social media, and much more! You can listen to that by becoming a supporter of the podcast here.
I saw a blog by a writer recently declaring that we should all aim for perfection. Their point being that once the book is out there, then you don’t have an opportunity to change it (which isn’t strictly true) and that we should all aim to make any book we write the best it possibly can be.
I agree that I want anything I write to be the best that I can do, but perfection…? Not sure it exists. And it can be the enemy of creativity, especially when you’re starting out. The idea of creating something as polished and perfect as your favourite author’s latest tome is intimidating at best, crippling at worst. Over time I’ve discovered that creating is a process of failing a little less each time. With each draft, each book, each script I’ve learned something that helped make the next one a little better. But it’s never perfect.
There’s a moment in this week’s interview with the brilliant Harriet Muncaster where she says she held off from starting a project because she wanted it to be perfect. Which meant for a long time she didn’t do anything at all. Then she eventually realised that, ‘If you don’t start something, then it never really develops.’ So if you’ve been putting off that novel, script, artwork, whatever, because you were worried that it wouldn’t be perfect then today’s the day to start it. It won’t be perfect. Nothing ever is. But as you work on it you will discover that it just might be better than you ever imagined.
Also in this week’s episode me and Mr D discuss being child-like and end up being very childish. And in the extended version I finally talk about my role in the Nautilus TV series and what’s happened at Disney+. You can listen to that by becoming a Chart Topper supporter here.
It was a delight to welcome back Sarah Moorhead to the Bestseller Experiment podcast this week. There’s a moment early on when she talks about creating great characters and how the ‘grit in the oyster makes the pearl’. I think the same can be said about Sarah who found herself in the perfect storm of her debut being launched in lockdown at the same time as she was dropped by her agent and publisher. There are few authors who could bounce back from that, and Sarah has done it brilliantly with her new novel The Treatment. Get inspired and have a listen/watch below and if you want more like that, there’s an extended version for podcast supporters where Sarah answers listener questions on resilience, self-belief, plotting, structure, why learning to write is like learning to drive and much more! You can get access to that and hundreds of hours of extra material by becoming a Chart Topper supporter of the podcast here.
This is not to suggest that bestselling author Mr Barclay is a big fibber (The Lie Maker is the title of his latest thriller), but to be fair that’s what writers do for a living: make stuff up and pass it off as the truth. And Linwood Barclay gives us a ton of tips how to do that in this week’s episode of the podcast here…
This was a special episode for a few reasons. Not least that Mr D got to join me for the whole interview (he’s a big fan of Linwood), and that Linwood reveals all sorts of stuff about authors like Ross Macdonald and Stephen King, but we also get very excited about his Gerry Anderson Supercar model made by legendary film and TV model maker Martin Bower. If you want to skip straight to that bit (and you should because it’s a thing of beauty), it’s here…
Teresa Driscoll had a huge career change in 2017 when she switched from writing family dramas to thrillers with her novel I Am Watching You. She went from going out of contract and the potential end of her writing career, to selling a million copies. How did she manage that? With I Am Watching You she wrote a thriller, pure and simple (actually these things are never simple to write, but you know what I mean). She tells me in the interview that her family dramas were just a little too dark for readers of that genre, and not thriller-y enough to qualify for that genre. So she decided to go all-in with thrillers and started selling in big numbers. That’s not to say that writing a novel that offers everything that genre readers want will make it a guaranteed success, but it can certainly increase the odds.
My Witches of Woodville books fall between genres and categories. They’re not quite fantasy, not quite horror, and they’re not quite YA and that can make them tricky to sell. One of the most common comments I get on reviews is, “I don’t normally read stuff like this, but I really enjoyed it.” I’m fine with that, even if it means fewer sales, because they’re the books I wanted to write… But I’ve also embarked on a top secret project with another author that will be a thriller, pure and simple. We’re both hoping that this will give us the kind of success that authors like Teresa have enjoyed.
We also discuss why Teresa stopped watching TV for a year, perseverance, Dame Edna Everage, and owls. And in the extended version for podcast supporters I give tips on writing settings. If you want to support the podcast then click here and if you’re a chart topper supporter you’ll get access to hundreds of hours of extra writer-y goodness.
Mark Stay Writes 