There’s been a lot of chatter online regarding a certain new space opera movie. I forget what it’s called. Flash Starkiller and The Laser Sword of Doom or something. In amongst all the manbaby cries of “You ruined my childhood by making it for girls!” there is a common criticism that actually carries some heft. Here’s when one reply I got when I blogged about how much I liked the film…
It can’t be denied that the film has plot holes. One occured to me only this morning: if Luke flew his X-Wing to Ach-To, how did he do it without Artoo? I didn’t think you could fly an X-Wing without an astromech… okay, maybe you can, or because The Force, or whatever?
That’s just one of many little niggles in the story, but here’s the thing, and you might want to be sitting down for this one… Ready? You sure…?
ALL OF THOSE SPACE LASER SWORD MOVIES ARE FULL OF PLOT HOLES!
All of ’em. Here’s a few that come to mind…
- Just how long was Luke traning on Dagobah? The weeks/months/years it takes to become a Jedi, or the few hours it took the Falcon to fly to Bespin?
- Why would Obi Wan take a baby Skywalker to the planet where his dad was born and not bother to change the kid’s name?
- Why did the Death Star come out of hyperspace so far away from Yavin and give the Rebels so much time to prepare?
- Who did Leia’s hair and makeup in the Ewok village?
And that beloved saga isn’t the only one suffering from holy story syndrome:
- How did Andy’s poster get back on the wall in his cell in The Shawshank Redemption?
- Who heard Charles Foster Kane say “Rosebud”?
- What was Bruce Willis doing in his downtime when he wasn’t hanging out with the kid on the Sixth Sense?
- Almost all of the finale of Ocean’s 11
- Every Bond film ever made
- Just how did Tom Hagen cut that horse’s head off in the Godfather without waking anyone? And I’ll buy lunch for anyone who can explain the plot of The Godfather II to me without hesitation, repetition or deviation.
Most, if not all, stories have plot holes in them. I would go so far as to say that life itself is full of plot holes, but this isn’t a post-Brexit therapy group so let’s move on.
We’re willing to gloss over plot holes because WE RESPOND TO STORIES ON AN EMOTIONAL LEVEL. And boy do we get emotional when we talk about beloved series and characters. And because they’re so beloved they’re put under far more scrutiny than those lesser movies we might watch once and then forget.
As a writer, this doesn’t mean you now have licence to fill your script with gaping plot holes. We all vary in our tolerance of plot holes, and you need to work hard to ensure that your story makes sense. When you spot a hole you need to fix it, and don’t just paper over the cracks hoping we won’t notice.
Always work under the supposition that your audience is smarter than you are.However, it’s inevitable that one or two might slip through, no matter how rigorous you are, especially if you’re writing science fiction and fantasy where you’re working with magic and hyperspace and other wonders that don’t exist.
But ask yourself what’s more important: a watertight logic puzzle, or a fairytale that punches you in the gut? I know it’s not an either/or situation, but I know which end of the spectrum I veer towards.
May The Force Be With You and Toto’s still going to be put down by Mrs. Gulch when Dorothy wakes…
Until next time, happy writing!
PS. Don’t get me started on people who think they’re clever pointing out petty continuity errors in movies.
PPS. That novel I wrote with Mark Desvaux doesn’t have a single plot hole in it. Not one. I dare you to find one. Grab your copy here and prove me wrong.
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