Tag: Plot holes

Why I’m Okay With Plot Holes

Writers live in fear of a leaky story, but I’m okay with plot holes. And here’s why…

TRANSCRIPT:

Hello folks, Mark Stay here. I’m going to tell you why I’m completely okay with Plot Holes…

What is a plot hole exactly?
Well, in a story, it’s one of those little bits that doesn’t quite make logical sense, doesn’t really stand up to any scrutiny.

For example, in The Godfather, just how does Tom Hagen cut that horse’s head off without anyone noticing? So in the Ewok village, Princess Leia’s dress… Where did that come from? Just how did Andy’s poster stay on the wall in his prison cell after he broke out? Just what did Bruce Willis do when he wasn’t talking to the scary ghost kid? Who exactly heard Charles Foster Kane say “Rosebud?” The entire final act of this, and every James Bond film ever made.

All of these films are bona fide classics, films that most of us love and adore.
And they get a pass.
We gloss over their plot holes.
And why is that?
Because we respond to stories on an emotional level.

As a writer, this doesn’t mean you now have license to write a story that’s full of plot holes and we all vary in our tolerance of plot holes. And you have to work hard to make sure that your story makes sense and not just, you know, paper over the cracks and hope we don’t notice.

Always write on the assumption that your readers are smarter than you are, you know, work as hard as you can to iron out all those little holes.
But the thing is, when you’re dealing with stuff that doesn’t exist, you know, fantastical stuff like time travel, magic, warp speed, that sort of thing, you’re not going to be able to… One or two will inevitably slip through.
However, ask yourself this: What’s more important to you? A watertight logic puzzle-style story, or something that’s going to have some emotional oomph? I know which end of the spectrum I veer towards, although none of my books have plot holes, none of them, if you doubt that you should buy them all, and read them from cover to cover and make copious notes and then drop me a line if you spot any. Anyway, hope that’s helpful. A little note on plot holes, and sleep tight in the knowledgethat when Dorothy wakes up from a trip to Oz, Toto will still be put down by Mrs. Gulch

In Defence Of Plot Holes

There’s been a lot of chatter online regarding a certain new space opera movie. I forget what it’s called. Flash Starkiller and The Laser Sword of Doom or something. In amongst all the manbaby cries of “You ruined my childhood by making it for girls!” there is a common criticism that actually carries some heft. Here’s when one reply I got when I blogged about how much I liked the film…

It can’t be denied that the film has plot holes. One occured to me only this morning: if Luke flew his X-Wing to Ach-To, how did he do it without Artoo? I didn’t think you could fly an X-Wing without an astromech… okay, maybe you can, or because The Force, or whatever?

That’s just one of many little niggles in the story, but here’s the thing, and you might want to be sitting down for this one… Ready? You sure…?

ALL OF THOSE SPACE LASER SWORD MOVIES ARE FULL OF PLOT HOLES!

All of ’em. Here’s a few that come to mind…

  • Just how long was Luke traning on Dagobah? The weeks/months/years it takes to become a Jedi, or the few hours it took the Falcon to fly to Bespin?
  • Why would Obi Wan take a baby Skywalker to the planet where his dad was born and not bother to change the kid’s name?
  • Why did the Death Star come out of hyperspace so far away from Yavin and give the Rebels so much time to prepare?
  • Who did Leia’s hair and makeup in the Ewok village?

And that beloved saga isn’t the only one suffering from holy story syndrome:

  • How did Andy’s poster get back on the wall in his cell in The Shawshank Redemption?
  • Who heard Charles Foster Kane say “Rosebud”?
  • What was Bruce Willis doing in his downtime when he wasn’t hanging out with the kid on the Sixth Sense?
  • Almost all of the finale of Ocean’s 11
  • Every Bond film ever made
  • Just how did Tom Hagen cut that horse’s head off in the Godfather without waking anyone? And I’ll buy lunch for anyone who can explain the plot of The Godfather II to me without hesitation, repetition or deviation.

Most, if not all, stories have plot holes in them. I would go so far as to say that life itself is full of plot holes, but this isn’t a post-Brexit therapy group so let’s move on.

We’re willing to gloss over plot holes because WE RESPOND TO STORIES ON AN EMOTIONAL LEVEL. And boy do we get emotional when we talk about beloved series and characters. And because they’re so beloved they’re put under far more scrutiny than those lesser movies we might watch once and then forget.

As a writer, this doesn’t mean you now have licence to fill your script with gaping plot holes. We all vary in our tolerance of plot holes, and you need to work hard to ensure that your story makes sense. When you spot a hole you need to fix it, and don’t just paper over the cracks hoping we won’t notice.

Always work under the supposition that your audience is smarter than you are.However, it’s inevitable that one or two might slip through, no matter how rigorous you are, especially if you’re writing science fiction and fantasy where you’re working with magic and hyperspace and other wonders that don’t exist.

But ask yourself what’s more important: a watertight logic puzzle, or a fairytale that punches you in the gut? I know it’s not an either/or situation, but I know which end of the spectrum I veer towards.

May The Force Be With You and Toto’s still going to be put down by Mrs. Gulch when Dorothy wakes…

Until next time, happy writing!

Mark

PS. Don’t get me started on people who think they’re clever pointing out petty continuity errors in movies.

PPS. That novel I wrote with Mark Desvaux doesn’t have a single plot hole in it. Not one. I dare you to find one. Grab your copy here and prove me wrong.

PPPS. Oh, and if you want to support our work on the podcast, we now have a Patreon. Do please support us and we can keep this train rolling.

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