How’s the new normal going for you?

To say that things are weird at the moment would be the understatement of the 21st century and I’ve been meaning to update the blog for about two weeks now, but the time never quite felt right.

I’m sure you’ve all seen social media posts and blogs urging folk to “start writing that novel, there’s never been a better time”, but I’ll be honest with you, I really struggled to concentrate on writing those first few weeks.

Apart from the world going topsy turvy, I had also just finished some intense final draft work on a screenplay, so I was pretty wiped anyway… but I’m back in the groove now, and the thing that’s really helped me is using the BXP2020 challenge method of just 200 words a day. That little and often method really helps build a habit, especially if you’re picking it up again after a bit of time off. 

That said, if you’re not in the mindset to work, you should give yourself permission to take a vacation from creativity.These are crazy days and no time to be pressurising yourself.

WATCH, LISTEN & READ

What I’m watching…

My daughter Emily and I recently finished a months-long Game of Thrones marathon. My second time, her first. I don’t care what you say, that final season is magnificent and all the more effective when you give it a seven-season run-up. 

Picard was an emotional rollercoaster and yes, parts of the ending were silly (I see Trek has fallen into the same “More spaceships! More! More!!!” bear trap that Rise of Skywalker opened), but a simple scene of a final farewell between two old friends was more engaging than any number of starships.

I’m three episodes into The Mandalorian (we only just got Disney+ in the UK) and it’s exactly what I want from my Star Wars — just the right mix of Western steeliness, blaster action, strange creatures, childish cuteness, wry humour and jetpacks. All the jetpacks.

Emily and I are also one episode away from the Locke & Key finale, which reminds me…

What I’m reading…

I recently re-read the Locke & Key comics by Joe Hill and Gabriel Rodriguez and it’s fascinating to contrast them with the Netflix show, which is appealingly YA in its tone. The comics can be much more nihilistic (particularly with the villains who regularly murder innocents in the comics, but are slightly more sympathetic on TV). I wonder if that indicates a change in Joe and Gabriel’s work since the comics, or simply what it took to unlock it for TV?

I’ve also been researching for various projects. Lots of magic and witchcraft. The Occult, Witchcraft & Magic by Christopher Dell is a wonderful illustrated history, and The Book of English Magic by Philip Carr-Gomm & Richard Heygate is thorough without taking itself too seriously.

I’ve also been reading Tempest, the final volume of The League of Extraordinary Gentlemen by Alan Moore and Kevin O’Neill. Story-wise it’s not as satisfying as the previous adventures, but the concept of adopting different styles of comics through the ages is ingenious.

What I’m listening to…

I’ve really gone back to basics during the lockdown. Lots of Beatles and Floyd — stuff I can sing along with. While writing this I had on Matt Berry’s TV Themes (tons of nostalgia dipped in acid jazz) and Mozart’s Requiem (weirdly soothing).

I’m also listening to… other people! Before the Corona-crisis I would put off phone calls, knowing I would catch up with people sooner or later. Now I’m taking calls all day, often with old friends I haven’t spoken to in yonks. One of the positives in all this madness.

Leaving the plugs till last…

A couple of my books are on offer at the moment…

In the UK, Back to Reality is 99p in the Kindle March sale. Just a few days left!

Also in the UK, the eBook of Robot Overlords is 99p for the foreseeable future. I asked Gollancz to do this as the opening of the book — where everyone in the world is confined to their homes — seemed somewhat apt. Here’s me reading from it over on my Facebook page. It’s available on KindleAppleKobo and Google.

 Oh, and here’s an important message from our Robot Overlords.

Finally, if you want your book edited, copy-edited, proofread, or just want a reader’s report, reply to this email and we’ll get the ball rollingI have all sorts of services for writers and I have plenty of time on my hands (that won’t last, by the way… I’ve recently had some news about some TV, film and book projects that will make me a very busy boy in the second half of this year!).

Hang in there…


This won’t end overnight. We’re in this for the long run. Weeks at least, months most likely. But together we’ll get through this. I usually sign off emails with “All the best” or “Speak soon”, but lately I’ve been using…

Stay safe and healthy,

Mark

A few words on writing endings… with MASSIVE SPOILERS FOR GAME OF THRONES

The following blog post has MASSIVE SPOILERS FOR GAME OF THRONES

Have I mentioned the MASSIVE SPOILERS FOR GAME OF THRONES?

Still here? Good. You’ve been warned…

Endings are a bugger. There’s no getting around it. Often, writers are advised to start with the ending and work back from there. Though the problem with that is as you get to know your characters you’ll start changing their story trajectories. And that’s where things can start to get muddled and how endings can end up making no sense whatsoever or just fizzle out into nothing.

I’ve just watched the finale to Game of Thrones for the second time and, for all its flaws, I found it immensely satisfying and for me it illustrates a great principal of storytelling:

Characters will get what they need (or deserve) and not what they wanted…

Dany gets to defeat Cersei and at least touch the iron throne (though she doesn’t actually get to park her bottom on it), nor does she get the satisfaction of seeing Cersei die, which may be why she still thirsts to bring the rest of the world under her heel, triggering Jon to (eventually) grow a pair and stop her.

Jon’s ethos of honour and duty at all costs sees him banished to the Night’s Watch, which is where he was off to in the pilot episode anyway. He could’ve saved himself an awful lot of trouble and stayed there in the first place. Bless him, he tried. Though he did stop Dany from turning other cities into dragon-flamed barbecues, so we should all be thankful for that.

Arya doesn’t get to tick Cersei off her list, but on seeing the bodies of children in the streets of King’s Landing she’s realised that her childhood has been spent pursuing empty vengeance, and so she’s off on the Westerosian equivalent of a gap year exploring the unknown.

Sansa wanted nothing more than to be a princess to a handsome king, though Joffrey the Bellend, first of his name, was enough to put her off that ambition and now she’s Queen in the North with a neat line in costume jewellery and she’s taking crap from no one (see how she tells Edmure Tully to sit down).

Bran was just a little boy who wanted to climb and have adventures and now he’s the fricking king with second sight. Betcha never saw that coming in the pilot. Oh, wait, you all did? Okay…

And Tyrion has the most satisfying arc of all. He has come a long way from his whoring and drinking, and his final scene opens with him arranging chairs in order to make a good first impression. He’s gone from an irresponsible smart arse with zero responsibility to someone who, as Bran says, will spend the rest of his life atoning for his sins.

These, along with dozens of little callbacks to the opening episodes, close the circle of the Game of Thrones story, as well as giving all our surviving characters new beginnings.

So, if you’re stuck on your ending or it doesn’t hit you in the feels hard enough then think about your characters’ wants, needs, new beginnings and… er… uhm… y’know what? I don’t have a proper ending to this blog. I… oh, this is embarrassing. Er… BUY MY BOOK!

Need some help with your writing? I can help you out…

Pop over here to drop me a line and book a FREE 15 minute Skype/Facetime chat.

Brandon Sanderson on the podcast this week!

A bit of a legend on this week’s podcast. Just before Christmas I was lucky enough to grab an interview with fantasy titan Brandon Sanderson while he was on his UK tour for the truly mammoth Oathbringer.

I’ve seen Brandon at a few convention panels in the past, and he always gives thoughtful answers, and he has his own podcast – the excellent Writing Excuses – so I knew he would be a terrific guest. And this was one of the reasons we opened the questions to our Patreon supporters, who gave us some cracking queries for Brandon, and some of whom are currently freaking out on social media having heard his replies.

You can listen to the interview here.

Thanks to the wonderful Stevie Finnegan for finding time in Brandon’s busy schedule for us!

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If you liked that episode and want some more, we’ve started having post-podcast deep dive discussions for our Patreon supporters. You can support us and get the extra content here.

And if you’re looking for something new to read in 2018, then grab a copy of our novel Back to Reality on Kindle now!

SHANNON MAYER