Tag: Sarah Pinborough

Sarah Pinborough: Describe a House

Before you watch this clip, take a moment to describe a house (maybe even write it down), then watch this clip with bestselling author Sarah Pinborough whose novel WE LIVE HERE NOW is out now (and is set in a very spooky house!) and was partly inspired by this exercise — Credit to author Mark Chadbourn for the exercise!

TRANSCRIPT

SARAH: You know the author Mark Chadbourn?

MARK: Yes. Yes, yeah I do. Yeah.

SARAH: We were at an event somewhere, and he was doing this thing where you have to describe a house. So he was like, describe this house, da-da-da-da… And so, he goes, ‘Is there a path?’ ‘Yeah, it’s kind of a stone house.’ ‘Where is it?’ ‘It’s on its own, in the middle of nowhere. It’s quite a cold place. It’s quite forbidding. It’s kind of oppressive, doesn’t want you to come in and blah, blah, blah.’ But then when I got to the end of this, he said, when you get people to describe a house, it describes their emotional… How they view relationships and their emotional thing. And this idea of no one’s coming in my house. And actually when I look back, I’m like, well, here I am, single at 53 (laughs), and I maybe there was something in it, but it’s kind of that house in my head that I pictured then, you know, like this kind of in the middle of nowhere on its own, doing its own thing house.

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Sarah Pinborough: Relatable is Commercial

Here’s a clip of me mansplaining theme to bestselling author Sarah Pinborough, before she sums it up succinctly… 🙂

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TRANSCRIPT

MARK: We have a thing called the Green Room where people… we talk about writing, and I bang on and on about things like central dramatic arguments and themes. When you say, what is your book about? You’ve just given us a brilliant example because you’ve, you know, it’s about the lies couples tell each other and that thematically, you know, runs through the whole story and it’s so strong because we spent, you know, eight minutes talking about it already. And I think we could talk about it all night. But it’s and that’s what I think makes your book so compelling because it is, you know, about these terrible truths…

SARAH: It’s that awful word, ‘relatable’.

MARK: ‘Relatable’.

SARAH: ‘Relatable’.

MARK: Relatable equals commercial equals money in the bank. Yeah, it’s Mike says 100%. All you need is a dog. And we had we had, we had Mike and his dog on here a few episodes ago, folks. I’ll, I’ll put a link in the show notes. You can check the episode out.

MIKE SHACKLE: I am a professional. I’m sorry.

LINKS MENTIONED

The episode with Mike Shackle and his dog…

Here’s my writing group The Green Room…

JOIN THE GREEN ROOM

And here’s my favourite video on theme and the central dramatic argument with Craig Mazin…

Sarah Pinborough: “I Triple Write.”

This month’s special guest bestselling author Sarah Pinborough reveals when she knows that’s she finished a draft and how she ‘triple writes’ her books…

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TRANSCRIPT

MARK: How do you know when you’re done?

SARAH: Well, Mark, invariably, I am skating in the last knockings of the deadline. So when I write the end, I literally think ‘I’m going to scan through this and I’m sending this fucker off,’ so… But, because I do triple write, as it were, like I plan in a notebook, then I rough write into Scrivener, then I copy it over into Word, tidy it in Word. I do it in like 8000 word chunks. I’ve kind of… if it’s not untidy and it’s not…. You know, it’s probably most people’s second draft, when I hand it in. And I kind of think… I mean obviously this would be different if it was on spec, but I’m like; they’ve paid for it. Let’s see if it’s holding, you know, because if it’s not holding, it doesn’t matter how pretty I make it. (If) there’s a massive structural problem, let’s get to that. You know, so I kind of figure that’s the way.

Sarah Pinborough: When is She Ready to Write?

This month’s special guest bestselling author Sarah Pinborough reveals when she knows that’s she ready to start writing…

TRANSCRIPT

MARK: What’s the thing that makes you think you’re ready to start writing on a project?

SARAH: When I’ve got the ending locked in place. I can’t start to write without… I have to see the final scene of the book in my head. So… Behind Her Eyes, the final chapter was in the pitch of the book. So I don’t have the whole book planned, obviously, but I tend to kind of have to have the characters names, a bit of a tent pegging. and the ending has to be locked so I know what I’m working towards. But you know, I’m great one for mulling… mulling for a long time. I think that’s the hardest part, isn’t it?

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Sarah Pinborough on Writing in Short Bursts

This month’s special guest bestselling author Sarah Pinborough reveals a great tip for writing in 20-minute bursts…

TRANSCRIPT

MARK: What small thing has made a big difference to your creative process?

SARAH: Cocaine! Okay, that’s a joke. (laughs)

MARK: (laughs) You might have said that a little too quickly.

SARAH: What small things made a difference to my creative process. I mean, it’s not a small thing, but obviously… Oh, actually, I do have one for this! So I use the Freedom app. You know, which turns the internet off. And my friend Harriet Tyce… because I used to just turn it off for an hour and then dick around on my phone. Pointless. But she told me to do it… There’s that thing where you do it in 20 minute bursts. So you set it for 20 minutes, and then you work… because 20 minutes you can work for. And so three lots of 20 minutes, and you’ve done, like, nearly a thousand words. And it’s much more focused. So I do try and do these 20 minute bursts if I’m not feeling it. And that does help, you know. And also I’m not a great fan of the word count thing. You know, people say I must write 2500 words a day. I think it’s better to have a good thinking time.

MARK: Yeah, absolutely. That 20 minutes is that sort of Pomodoro timer.

SARAH: Yeah. That’s the word! Pomodoro. That’s it.

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Mark Stay’s Creative Differences Episode 10 with Sarah Pinborough: THE LIES WE TELL

I chat with Sarah Pinborough, the bestselling and award-winning author of Behind Her Eyes about her new thriller We Live Here Now, spooky houses, her method of ‘triple writing’, going on tour and the lies we tell each other…

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LINKS

The book links are affiliate links and I earn a wee bit of commission if you buy from them.

WE LIVE HERE NOW

LAUNCH AT WATERSTONES MILTON KEYNES ON WEDNESDAY 4TH JUNE

SARAH’S US TOUR

MOBLAND
THE HANDMAID’S TALE
DOPE THIEF
TUBI FOR JACK PALANCE HORROR
YOU KILLED ME FIRST BY JOHN MARRS
THE HAMLET BY JOANNA CORRANCE
PAM KOWOLSKI IS A MONSTER BY SARAH LANGHAM
THE DEVILS BY JOE ABERCROMBIE
ANDOR
IT AIN’T ME BY EMILY ZECK

COME AND MEET MARK AT A COMIC CON

Mark Chadbourn on Bluesky
The Mike Shackle episode

Edit by Kai Newton
Production assistance by Emily Stay
Jingle by Dom Currie

THE GREEN ROOM

Join Sarah Pinborough on the Creative Differences Livestream

Join me with bestselling author Sarah Pinborough on the livestream that looks at the little things that make a big difference to the creative process.

Sarah Pinborough is an award-winning and New York Times, Sunday Times, and internationally bestselling author and screenwriter who is published in over 30 territories worldwide. Having published more than 25 novels across various genres, her recent books include Behind Her Eyes, now a smash-hit Netflix limited series; 13 Minutes that’s she’s developing with Carnival/NBC, The Death House that she’s adapted herself for Compelling Pictures, and her most recent book Insomnia which she adapted herself and is now streaming on Paramount+
And she’s hilarious, wise and has a lovely dog called Ted.
Do please join us live as you’ll have the opportunity to ask Sarah questions on the night (and just before her big America tour!). 

It’s going to be so much fun. Put that date in your diaries now… 

Monday 12th May 8pm BST.

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“Therefore, but…” with Cass Green

We had the amazing Cass Green on the podcast this week and one of the things we touched on was the “Therefore, but…” rule for writers as explained by South Park’s Trey Parker and Matt Stone in this vid.

We also discussed a recent blog by Mark Chadbourn on how writers should be looking for not one, but multiple streams of income to pay the rent. It’s a fascinating piece, and could well change your life!

And we were delighted to see the podcast featured on Buzzfeed as one of the podcast you NEED to start listening to in 2018. Buzzfeed! My kids were actually impressed for about 30 seconds…

And stay tuned for some big news on an exciting new project!

Mark

PS.

Oh, and my first book Robot Overlords is in the UK Kindle half-term sale. Thanks to everyone who’s bought a copy so far. If you haven’t you can grab a copy for only 99p now!

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My plans for 2018, and your favourite episode of the Bestseller Experiment revealed…

Okay, maybe the answer to the latter is obvious as it’s the one episode that we go on about more than any other, but I think you’ll enjoy the countdown of our top five as it contains some of my favourite moments. Have a listen here.

And there’s a little mini episode introduced by our editor Dave (who has a great trailer voice!), where you can hear clips from the Deep Dive extras for Patreon supporters. Me and Mr. D talk about New Year’s Resolutions, which I don’t really do, but last year I did make a list in my diary of the things I wanted to achieve with my writing in 2017. They were…

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BOOM! Managed to get a tick on all of those… There might be something in this list making stuff after all…? The smudge is a top secret film project that I’m working on with Jon Wright, and there’s definitely been some action on that front, though the problem with film and TV is that so much of it is out of your hands (especially if you’re the writer) that you can make all the lists you want, it ultimately comes down to all sorts of ducks and stars aligning, so I find it’s less stressful to just go with the flow.

So what do I want from 2018? Here’s the current wish list…

  • Get my fantasy novel The End Of Magic published (more on that soon!)
  • Self-publish at least one of my Woodville novellas
  • Get some TV assignment work
  • Get one my spec scripts optioned/off the ground

How hard can it be?

What are your writing plans for 2018? Whatever they are, I’d love to hear about them. Sharing the pain is half the fun of being a writer. Until next time, keep writing!

 

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If you liked that episode and want some more, we’ve started having post-podcast deep dive discussions for our Patreon supporters. You can support us and get the extra content here.

And if you’re looking for something new to read in 2018, then grab a copy of our novel Back to Reality on Kindle now!

Back To Reality quote sheet.007

 

 

 

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I haven’t written for three days!

If you follow the Bestseller Experiment podcast you might have noticed that we recently finished our first draft. This is always a cause for celebration, even if the draft is a big old mess (which it is) and will need a ton of work (which it will). Simply finishing something is an achievement.

I celebrated by getting a summer cold, and diving straight into rewrites of a TV pilot script. This was huge fun, as this was the script that had been give such a kicking a while ago, but I had spent the time since working on solutions that I couldn’t wait to try out.

The other reason for the hurry is that I’m moving house. The Stay family is leaving the suburbs and heading to the country… Well, maybe not the country, but it’s next to a farm, and for a boy born in the city that counts as the countryside. All this means lots of packing (so many books!), and a break in my usual routine, which means I haven’t written anything other than emails to utility companies in three days.

I’m a ‘write every day’ guy. If I don’t write anything during the working day, I get twitchy. So much so, that I just snuck out of bed in the middle of the night to sit among the boxes and compose this blog…

… and that feels good, even though it’s not the full dose of happiness that I get from a bit of creative writing. But I am reassured by the response we got from Sarah Pinborough on the podcast when we asked her if she wrote every day. ‘No,’ she said. ‘That’s bollocks.’ She went on to clarify that even though she might not actually be writing her latest work in progress, she’s always thinking about it. Well, I’ve been doing lots of thinking, and I’m allowing myself to call that work, even if it’s just for a few days.
The other thought that keeps me going is that when we move I will finally have a writing room. I hate to use the phrase ‘man-cave’, due to all the icky connotations, but it will almost certainly be the very definition of male writer mid-life crisis decor: film posters, books, Lego, and I might even succumb to the lure of vinyl LPs again… Lordy, what have I become…?

In the meantime, keep writing, my friends. I love hearing about your work and news (my friend Graeme Williams just had some amazing news!) and it’ll keep me going till I see you on the other side once I’ve unpacked…

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