Merry Christmas! That’s if you celebrate, if not then Happy Monday! Mondays have been ‘New Podcast Day’ for the last seven and a bit years, and today marks the release of my last ever episode of The Bestseller Experiment as co-presenter. Why am I leaving? I explain myself in full here. And rest assured that this isn’t the end of the podcast: Mr D will continue and it’s going to be amazing.
What will I be up to in the meantime? Well, stand by for an update in the New Year. Until then, here’s our special Christmas episode where I share some of my favourite moments, outtakes, and we get a visit from a very special elf…
To say that things are weird at the moment would be the understatement of the 21st century and I’ve been meaning to update the blog for about two weeks now, but the time never quite felt right.
I’m sure you’ve all seen social media posts and blogs urging folk to “start writing that novel, there’s never been a better time”, but I’ll be honest with you, I really struggled to concentrate on writing those first few weeks.
Apart from the world going topsy turvy, I had also just finished some intense final draft work on a screenplay, so I was pretty wiped anyway… but I’m back in the groove now, and the thing that’s really helped me is using the BXP2020 challenge method of just 200 words a day. That little and often method really helps build a habit, especially if you’re picking it up again after a bit of time off.
That said, if you’re not in the mindset to work, you should give yourself permission to take a vacation from creativity.These are crazy days and no time to be pressurising yourself.
WATCH, LISTEN & READ
What I’m watching…
My daughter Emily and I recently finished a months-long Game of Thrones marathon. My second time, her first. I don’t care what you say, that final season is magnificent and all the more effective when you give it a seven-season run-up.
Picard was an emotional rollercoaster and yes, parts of the ending were silly (I see Trek has fallen into the same “More spaceships! More! More!!!” bear trap that Rise of Skywalker opened), but a simple scene of a final farewell between two old friends was more engaging than any number of starships.
I’m three episodes into The Mandalorian (we only just got Disney+ in the UK) and it’s exactly what I want from my Star Wars — just the right mix of Western steeliness, blaster action, strange creatures, childish cuteness, wry humour and jetpacks. All the jetpacks.
Emily and I are also one episode away from the Locke & Key finale, which reminds me…
What I’m reading…
I recently re-read the Locke & Key comics by Joe Hill and Gabriel Rodriguez and it’s fascinating to contrast them with the Netflix show, which is appealingly YA in its tone. The comics can be much more nihilistic (particularly with the villains who regularly murder innocents in the comics, but are slightly more sympathetic on TV). I wonder if that indicates a change in Joe and Gabriel’s work since the comics, or simply what it took to unlock it for TV?
I’ve also been researching for various projects. Lots of magic and witchcraft. The Occult, Witchcraft & Magic by Christopher Dell is a wonderful illustrated history, and The Book of English Magic by Philip Carr-Gomm & Richard Heygate is thorough without taking itself too seriously.
I’ve also been reading Tempest, the final volume of The League of Extraordinary Gentlemen by Alan Moore and Kevin O’Neill. Story-wise it’s not as satisfying as the previous adventures, but the concept of adopting different styles of comics through the ages is ingenious.
What I’m listening to…
I’ve really gone back to basics during the lockdown. Lots of Beatles and Floyd — stuff I can sing along with. While writing this I had on Matt Berry’s TV Themes (tons of nostalgia dipped in acid jazz) and Mozart’s Requiem (weirdly soothing).
I’m also listening to… other people! Before the Corona-crisis I would put off phone calls, knowing I would catch up with people sooner or later. Now I’m taking calls all day, often with old friends I haven’t spoken to in yonks. One of the positives in all this madness.
Also in the UK, the eBook of Robot Overlords is 99p for the foreseeable future. I asked Gollancz to do this as the opening of the book — where everyone in the world is confined to their homes — seemed somewhat apt. Here’s me reading from it over on my Facebook page. It’s available on Kindle, Apple, Kobo and Google.
Finally, if you want your book edited, copy-edited, proofread, or just want a reader’s report, reply to this email and we’ll get the ball rolling. I have all sorts of services for writers and I have plenty of time on my hands (that won’t last, by the way… I’ve recently had some news about some TV, film and book projects that will make me a very busy boy in the second half of this year!).
Hang in there…
This won’t end overnight. We’re in this for the long run. Weeks at least, months most likely. But together we’ll get through this. I usually sign off emails with “All the best” or “Speak soon”, but lately I’ve been using…
Good gravy, can The End of Magic really be a year old already? I guess if you’ve been keeping up with the blog and me constantly banging on about it, it must feel more like a decade, but as I get older the years become more of a blur and it’s good to take stock occasionally.
Below are some select diary entries from around the time of publication, along with a few asides to put them in perspective. Once again, a huge thank you to everyone who supported the book. It would not have been possible without you.
Monday 28th January
The End of Magic has arrived!
My finished copies were delivered this afternoon and I’m very happy with them. They’re reassuringly chunky, the spot UV on the cover will help them stand out, and the cover art is magnificent in the flesh.
Claire and Emily helped with a little social media video where we played out the where George McFly gets his books and I’m happy to say it’s getting lots of love online.
Wednesday 30th January
A good writing start this morning, but when I had a mid-morning cuppa I checked social media and discovered that folk were getting their copies of The End of Magic! There followed a day of social media madness as the good people who pledged for the book sent photos and congratulations. It was euphoric, overwhelming, and I could get very used to it.
I have an email dated 5th February where I inform Unbound that a reader noticed two typos. This is pretty standard with any book, despite all the proofreading. We fixed the eBooks pronto.
Wednesday 6th February
No writing today for two reasons…
It’s publication tomorrow and there’s all sorts of bits of social media to prepare, and…
My MacBook went kaput yesterday. The keyboard and trackpad wouldn’t respond.
I took it to Stormfront this afternoon and the guy held it up to his ear. “I think there’s something rattling about in there,” he said. He ran a diagnostic, restored it a few times and it was fine. Phew.
Friday 8th February 2019
The End of Magic is out now!
Well, yesterday… Quite an exhausting day yesterday, so let’s take it one step at a time.
Yes, the book is out and off to a good start with reviews: three five-star reviews on Amazon, and a four and a five on Goodreads.
I had a day in London yesterday, starting with an attempt at uploading all kinds of social media for the book via the wifi at Waterstones, Tottenham Court Road. It was too slow to the point of stopping, so I took myself off to the Byron at Farringdon where I was meeting Graeme (author Gray Williams) for lunch, got there early and gobbled up most of my spare data using the hotspot on my phone*
*It still astonishes me how much money I spend on data
(After lunch I met with two of my uncles who showed me where they grew up with my dad. We’ll skip that bit!)
*Yes, I do shameless namedropping even in my own diary. It’s partly why I started a diary. I kept meeting amazing people and then forgetting that I met them.
Told you, my memory is like a sieve.
This morning I put together a couple of ad campaigns and caught up on emails.
Tonight, Claire and I went to Vicky Newham’s book launch at Harbour Books and chatted with Vicky and her editor Clio.
It was around this time that I discovered that Unbound had published the eBook with two of the chapters in the wrong order! A bit of a panic as I kept readers updated, while Unbound made the fix. To be fair, they were pretty quick about it.
Thursday 14th February
Tonight I drove down to Tunbridge Wells for the Dominic King show (on BBC Radio Kent) and I got to plug the book and tomorrow’s launch big time. Also started to notice that complete strangers are mentioning me and The End of Magic and saying nice things. Exciting stuff!
Saturday 16th February
Last night was the launch party for The End of Magic and I’m still coming down from the giddy high it gave me.
Claire made amazing cupcakes, George handed them out and charmed the crowd (Yes! A crowd — 20+ people), and Emily live-streamed it and did cool time-lapse videos.
Rich Boarman — The Steam Wizard! — was there with Steam Witch Katie, and the Steam Sorcerer Andrew, and they stood by the door of Harbour Books getting admiring honks from passing cars and drawing the punters in.
Rich, Andrew and Katie and I’m wielding the staff that Rich made to commemorate the launch.
(There’s a bit here where I name people who turned up, but I’m bound to have forgotten someone, so I’m leaving it out here)
It was overwhelming. Olivia (from Harbour Books) said it was one of the best and busiest launches they could remember.
Once we figured out how to fit the magic staff in the car — it had been presented to me at the start of the event by Rich, and it is magnificent! — we went for chips.
What an incredible evening.
Saturday 23rd February
Faversham Literary Festival
In the evening I was back for my event with David John Griffin. We had about twenty people and it was good event with excellent questions. We started selling our own books, but then the room was swamped by bloody poets turning up for their open mic session, so few people could actually get close to us… Which was not conducive to sales.
It was around this time that I started planning to self-publish The End of Magic in the US. Unbound don’t have much of a presence there, and I fancied self-publishing it after my experiences with Back to Reality. This had all been agreed at the contract stage with Unbound, but they still fed their edition out to the world, including the US. Having seen this sort of thing happen many times when I was Orion, I knew it was a simple fix and I asked Unbound to sort the feed. They promptly did… but also accidentally removed it from the UK Amazon store… This was after a successful AMS ad campaign that placed it in the top 100 Fantasy titles. It never really got the same momentum again. Sigh.
Friday 8th March
I sent a signed a contract to Amazon for The End of Magic, finally proving that I have US rights, so with any luck I can get that live soon, too.
And thus ended a barrage of emails between me, Unbound and Amazon sorting the rights situation. Would I do it again? Possibly, but it was a right old faff and accidentally removing the book from Amazon was a real blow. Amazon’s algorithms were behind me, I was making my up the charts and becoming more and more visible and then… nothing. Ah well. Onwards. Upwards.
The question I get asked the most is will there be a sequel. Probably not. At least, not with Unbound. As publisher, they have first dibs on any sequels and I don’t fancy going through the fundraising process again, lest I become like that guy in the office who goes on a 5k charity fun run every few months and expects you to donate every time (that said, I am mulling over the idea of doing a Kickstarter for something very different). I have ideas for a sequel, but I had planned for the book to work as a stand-alone, which is does.
The biggest surprise is how many reviews I get that say, “I don’t normally read fantasy, but I really enjoyed this.” That’s my market. Which might explain why it’s been so blooming difficult trying to target them with ads to keep the sale momentum.
But I must stop griping. Overall, The End of Magic has been a terrific experience. I had great editors, fantastic cover art, and incredible support from readers.
Yes, that’s the BBC microphone muffler I found in the gutter in Oxford Circus last week…
I mention this as it’s one of the many highlights from last week’s Bestseller experiment live show that are now available to plug directly into your earholes via the medium of podcast. Click here for audio fun time.
Thanks to snowmaggeddon I had to record this one at home, but the usually flaky BT broadband actually held up and a splendid time was had by all. We discussed…
The dark secrets of metadata and how you can make it work for your books
How you can make a blog work harder
Tips for when you’re stuck on your outline
Why you should celebrate weaknesses
The pros and cons of present tense versus past tense
We discover what “brain tabs” are, and we discuss top tips for avoiding distractions while writing
The question from Edward Kane on tenses was a fun one to answer, though I’ve since realised that my erudite rambling could be cut down to two simple principles:
The present tense works better for unreliable narrators
The past tense works better for reliable narrators
And the less we will say about the future tense the better*
Mark
*I made a bad grammar joke! Am I not funny?
PS. That novel I wrote with Mark Desvaux is still getting lovely reviews. Grab your copy here and tell us what you think.
PS. Oh, and if you want to support our work on the podcast, we now have a Patreon. Do please support us and we can keep this crazy train rolling.
This week’s podcast is a bit different in that we were visited by Catriona Innes, Senior Editor at Cosmopolitan UK. When I was a teen, Cosmo was the mag that you read to learn about sex when you were sure no girls were looking! But it’s evolved into something very different now and it was terrific to hear from Catriona how she’s gone undercover to expose all sorts of shady shenanigans. Cosmo is now doing what 21st century magazines do best with long form articles, thoroughly researched with a sense of perspective and objectivity.
There were also some top tips from Catriona on interview techniques that any writer could use in their work. Check it out here.
Okay, maybe the answer to the latter is obvious as it’s the one episode that we go on about more than any other, but I think you’ll enjoy the countdown of our top five as it contains some of my favourite moments. Have a listen here.
And there’s a little mini episode introduced by our editor Dave (who has a great trailer voice!), where you can hear clips from the Deep Dive extras for Patreon supporters. Me and Mr. D talk about New Year’s Resolutions, which I don’t really do, but last year I did make a list in my diary of the things I wanted to achieve with my writing in 2017. They were…
BOOM! Managed to get a tick on all of those… There might be something in this list making stuff after all…? The smudge is a top secret film project that I’m working on with Jon Wright, and there’s definitely been some action on that front, though the problem with film and TV is that so much of it is out of your hands (especially if you’re the writer) that you can make all the lists you want, it ultimately comes down to all sorts of ducks and stars aligning, so I find it’s less stressful to just go with the flow.
So what do I want from 2018? Here’s the current wish list…
Get my fantasy novel The End Of Magic published (more on that soon!)
What are your writing plans for 2018? Whatever they are, I’d love to hear about them. Sharing the pain is half the fun of being a writer. Until next time, keep writing!
This has officially sold out, but if you’re a lucky ticket holder, then I’ll be in the Class of 2015 bit again, with a slightly different, but no less awesome, line-up: Antonia Honeywell, Alex Lamb, Al Robertson, Tom Toner and Catriona Ward…
This has just been added so grab your tickets now! If you’re a writer, this day is gold dust. If I weren’t already going, I’d be first in line for tickets. Top writers and agents (and, er me!) talking about their craft. Unmissable…