The End of Magic now has over 100 backers, which is amazing and I would hug you all but I suspect there are laws against that sort of thing and my arms aren’t nearly big enough. Didn’t quite make my aspirational 50% target this week, but I’m really happy at 46%. Still, almost, just, maybe making my 1% per day target…
But next week, folks, next week it’s 50% or bust! I’ve been told that getting to 50% means I’ll get on the Unbound newsletter, which reaches 60k people, which might help a tad.
So do please continue to spread the word. Send your fantasy fiction fans this link… https://unbound.com/books/end-of-magic/
Or this RT this tweet if you haven’t already… https://twitter.com/markstay/status/963766850155933699
Yes, that’s the BBC microphone muffler I found in the gutter in Oxford Circus last week…
I mention this as it’s one of the many highlights from last week’s Bestseller experiment live show that are now available to plug directly into your earholes via the medium of podcast. Click here for audio fun time.
Thanks to snowmaggeddon I had to record this one at home, but the usually flaky BT broadband actually held up and a splendid time was had by all. We discussed…
The dark secrets of metadata and how you can make it work for your books
How you can make a blog work harder
Tips for when you’re stuck on your outline
Why you should celebrate weaknesses
The pros and cons of present tense versus past tense
We discover what “brain tabs” are, and we discuss top tips for avoiding distractions while writing
The question from Edward Kane on tenses was a fun one to answer, though I’ve since realised that my erudite rambling could be cut down to two simple principles:
The present tense works better for unreliable narrators
The past tense works better for reliable narrators
And the less we will say about the future tense the better*
*I made a bad grammar joke! Am I not funny?
PS. That novel I wrote with Mark Desvaux is still getting lovely reviews. Grab your copy here and tell us what you think.
PS. Oh, and if you want to support our work on the podcast, we now have a Patreon. Do please support us and we can keep this crazy train rolling.
And I say, “Dude, it’s an exclusive for our Patreon thingy supporters. They get first dibs on all sorts of cool stuff, like the Youtube live shows where they can ask me and Mr. D questions about writing and publishing and stuff, and interact with us via the miracle medium of the Youtubes. We talked about how long your project should be, how to find other writers who will give you feedback, the kinds of deals a debut author can expect from a publishers and tips on building your mailing list, and there’s a whole long debate about swearing. It’s a fuckin’ gas, baby.”
“But can’t I just download the edited highlights a week later on the podcast?”
“Yeah, and that’s a stone groove, but nothing beats actually being there, and you get live pictures on the Youtube and sometimes people get naked.”
This is longer than most of the other mini-episodes. Mostly we repeat ourselves as the mania increases, we give a big shout out to our amazing launch team, I namecheck a couple of author friends, Kit Cox and Graeme Williams, and then I get a little ranty at the end about mailing lists. CLICK HERE TO LISTEN NOW
On this week’s podcast we spoke to Joanna Penn, and blimey O’Reilly it’s an episode crammed with a ton of useful information on marketing and social media for authors. I’ve listened to it three times already to transcribe it for the Vault of Gold and it still hasn’t all sunk in.
One small note; we were using Zencastr to record this episode, which is normally as good as gold, but for some reason I sound like a Dalek gargling Listerine for most of it, and then at the very end I sound like I’m trapped in a tin box. Apologies for that. Normal service will be resumed shortly… CLICK HERE TO LISTEN NOW